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Originally published in 1988. Edgar Dryden challenges recent criticism that has tended to discredit-or at least devalue-the importance of &quote;romance&quote; as a thematic and generic category of American fiction. In The Form of American Romance, he examines its evolution and meaning through readings of five exemplary texts: Hawthorne's Marble Faun, Melville's Pierre, James's Portrait of a Lady, Faulkner's Absalom, Absalom!, and Barth's Letters. Each of these novels treats the problems of reading and writing in a self-referential way that reflects on the questions they dramatize, and Dryden…mehr

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Produktbeschreibung
Originally published in 1988. Edgar Dryden challenges recent criticism that has tended to discredit-or at least devalue-the importance of "e;romance"e; as a thematic and generic category of American fiction. In The Form of American Romance, he examines its evolution and meaning through readings of five exemplary texts: Hawthorne's Marble Faun, Melville's Pierre, James's Portrait of a Lady, Faulkner's Absalom, Absalom!, and Barth's Letters. Each of these novels treats the problems of reading and writing in a self-referential way that reflects on the questions they dramatize, and Dryden has chosen each with the others in mind. Taken together, they chart a line of development with representative examples of what literary history calls romanticism, realism, modernism, and postmodernism, and thus they suggest a certain story about the continuity of the American novel.

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Autorenporträt
Edgar A. Dryden is a professor emeritus of English at the University of Arizona. He also taught at the State University of New York at Buffalo.