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FORTUNA FLOW POETRY VOLUME I represents some of the fruit of Fr. Stan's continuing response to the challenge of the great St. Pope John Paul II: 'If the Church holds back from culture, the Gospel itself falls silent. Therefore, we must be fearless in crossing the cultural threshold of the communications and information revolution now taking place (March 1, 2002).' This first collection of contemplative poetry is based on Fr. Stan's encounters at home and on the road through his missionary travels around the globe. On-location photographs by Fr. Stan of these encounters accompany some of the…mehr

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FORTUNA FLOW POETRY VOLUME I represents some of the fruit of Fr. Stan's continuing response to the challenge of the great St. Pope John Paul II: 'If the Church holds back from culture, the Gospel itself falls silent. Therefore, we must be fearless in crossing the cultural threshold of the communications and information revolution now taking place (March 1, 2002).' This first collection of contemplative poetry is based on Fr. Stan's encounters at home and on the road through his missionary travels around the globe. On-location photographs by Fr. Stan of these encounters accompany some of the poems. His Seraphic Father Francesco d'Assisi was a poet as was his major hero, Pope Saint John Paul II the great Doctor and Father of the Church. Fr Stan Fortuna CFR Stan Fortuna was born on June 9, 1957, in Yonkers, New York. He joined the Capuchin Franciscans in 1979. In 1987, along with seven other Capuchin friars under the leadership of Fr. Benedict Groeschel, he helped with the founding of a new community - The Franciscan Friars of The Renewal in the South Bronx, New York City. Ordained a priest of Jesus Christ on December 8, 1990, Fr. Stan's commitment to the community's life of working with the poor and evangelization increased tremendously. Having left behind a life in the world of music, the Spirit of the Lord and the art of improvising intermingled, resulting in a whirlwind of renewal in the realm of music with melodies, notes and words. Having studied with the great Lennie Tristano - one of the greatest jazz improvisers of the 20th century - Fr Stan was equipped to build upon the disciplined foundation of the spontaneous world of improvisation, taking on the challenge for a new evangelization by the great John Paul II. Compositions, hymns, lyrics and books soon flowed from his rich and diverse experiences - many of which have contributed to this current first volume of his poetry. Proceeds from the sales of his recordings and books assist in the community's work with the poor through his nonprofit Francesco Productions. Participating in the community's work of preaching as an 'itinerant preacher,' Fr Stan was sent nationally and internationally to preach, sing and improvise. Those he met in the streets of New York, Toronto, Brazil, Krakow, Rome, and Assisi, as well as countless other places around the globe - in Europe, Asia, India, Africa, South America, Australia, and New Zealand-- contributed to his crossing 'the unbridgeable gap' described by John Paul II in his 1999 Letter to Artists (#6): 'All artists experience the unbridgeable gap which lies between the work of their hands, however successful it may be, and the dazzling perfection of beauty glimpsed in the ardor of the creative moment: what they manage to experience in their...creating is no more than a glimmer of the splendor which flared for a moment before the eyes of their spirit.' Fr Stan's spiritual father Francesco d'Assisi was a poet as was his major hero, Saint Pope John Paul II The Great. The following from John Paul II to the Pontifical Council for Culture (March 18, 1994) regarding the influence of the saints is as inspiring as it is prophetic: 'The influence of the saints is decisive: through the light that they emanate, through their inner freedom, through the power of their personality, they have made a mark on the artistic thought and expression of entire periods of our history. It is enough to mention St. Francis of Assisi. He had a poet's temperament, something which is amply confirmed by his words, his attitude, his innate sense of symbolic gesture. Although his concerns were far removed from the world of literature, he was, nevertheless, the creator of a new culture, both in thought and in art. A St. Bonaventure or a Giotto could not have developed had it not been for him. This, dear friends, is where the true requirements of Christian culture dwell. This marvelous creation of man can flow only from contemplating the mystery of Christ and from listening to his word, put into practice with total sincerity and unreserved commitment, following the example of the Virgin Mary. Faith frees thought and opens new horizons to the language of poetry and literature, to philosophy, to theology, and to other forms of creativity proper to the human genius. You are called to develop and to promote this culture...in this world which is seeking beauty and truth, unity and love.'

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