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***LONGLISTED FOR THE BOOKER PRIZE 2019***
**SHORTLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020**
**LONGLISTED FOR THE POLARI PRIZE 2020**
'Beware, for I am fearless and therefore powerful.'

Inspired by Mary Shelley's gothic classic Frankenstein , discover this audacious new novel about the bodies we live in and the bodies we desire.
As Brexit grips Britain, Ry, a young transgender doctor, is falling in love. The object of their misguided affection: the celebrated AI-specialist, Professor Victor Stein. Meanwhile, Ron Lord, just divorced and living with his Mum
…mehr

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Produktbeschreibung
***LONGLISTED FOR THE BOOKER PRIZE 2019***
**SHORTLISTED FOR THE COMEDY WOMEN IN PRINT PRIZE 2020**
**LONGLISTED FOR THE POLARI PRIZE 2020**

'Beware, for I am fearless and therefore powerful.'

Inspired by Mary Shelley's gothic classic Frankenstein, discover this audacious new novel about the bodies we live in and the bodies we desire.


As Brexit grips Britain, Ry, a young transgender doctor, is falling in love. The object of their misguided affection: the celebrated AI-specialist, Professor Victor Stein. Meanwhile, Ron Lord, just divorced and living with his Mum again, is set to make his fortune with a new generation of sex dolls for lonely men everywhere.

Ranging from 1816, when nineteen-year-old Mary Shelley pens her radical first novel, to a cryonics facility in present-day Arizona where the dead wait to return to life, Frankissstein shows us how much closer we are to the future than we realise.

'Intelligent and inventive...very funny' The Times

'One of the most gifted writers working today' New York Times


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Autorenporträt
Jeanette Winterson CBE was born in Manchester, England. After graduating from Oxford University she published her first novel at 25, Oranges Are Not The Only Fruit, to widespread acclaim and a BAFTA for her BBC TV adaption. Twenty-seven years later she revisited that material in the bestselling memoir Why Be Happy When You Could Be Normal? She has written 10 novels for adults, as well as children's books, non-fiction and screenplays. She is Professor of New Writing at the University of Manchester. She believes that art is for everyone and it is her mission to prove it.
Rezensionen
A riotous reimagining with an energy and passion all of its own that reanimates Frankenstein as a cautionary tale for a contemporary moment dominated by debates about Brexit, gender, artificial intelligence and medical experimentation... While the story has a gripping momentum of its own, it also fizzes with ideas. Daisy Hay Financial Times