This collection of essays presents new perspectives on Freud's role in the lives of Austrian émigrés and exiles in Britain from the 1930s to the 1970s. It explores the creative ways in which authors, art historians, psychoanalysts, sociologists and artists accessed Freudian thinking and fashioned their own Freudian languages. Above all, the book seeks to examine the influence of Freud on the scientific and creative writing of émigrés and exiles, as well as on their professional positioning in British society. It probes the collective attempt to fashion an imagined 'Viennese community', represented through the promotion of a humanised language and a progressive social engagement. Moving beyond narrow understandings of psychoanalysis either as therapy or intellectual paradigm, the volume explores its broader cultural roles. By exploring psychoanalysis in terms of its specific cultural relationship with Austria, as well as Britain, the chapters show how psychoanalysis also created connections between the two countries in the immediate postwar period.
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"Although they were written largely before COVID-19 hit, he eleven essays in this collection resonate uncannily with our experience of the pandemic ... . the book's chapters range across theory and methodology in history and psychoanalysis, but also in human memory and its repression, modernism, Sigmund and other Freuds of note, art and architecture, language, violence, the persistence of anti-Semitism within and outside of Austria, material culture and dispossession, fantasy and nostalgia, identity, gender and marginalization." (Elizabeth Ann Danto, Psychoanalysis and History, Vol. 23 (3), 2021)