From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music. Both well-known and lesser-known works and composers are analysed in detail.
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'...compelling...a significant contribution to...both Musicology and Sound Studies...the ultimate value of Solomos' work is that it provides a centralized location for the ideas of the theorist-practitioners who aimed to reframe their labor as sound creation.' Kevin John Bozelka, Sound Studies, Volume 7, Issue 1 (2021)
'Without agreeing with everything [...] I really appreciate Makis Solomos' thesis-based music history of the long 20th century, because it provides both an overview of compositional directions and detailed analyses, it organizes both theoretical and aesthetic debates [...] and it develops both a thesis and its implications.' Julia H Schroëder, Journal of the German Musicological Society, Volume 73, Issue 4, (January 2020)
'Without agreeing with everything [...] I really appreciate Makis Solomos' thesis-based music history of the long 20th century, because it provides both an overview of compositional directions and detailed analyses, it organizes both theoretical and aesthetic debates [...] and it develops both a thesis and its implications.' Julia H Schroëder, Journal of the German Musicological Society, Volume 73, Issue 4, (January 2020)