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In this first collection of film writing from Evergreen Review, the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of…mehr
In this first collection of film writing from Evergreen Review, the legendary publication's important contributions to film culture are available in a single volume. Featuring such legendary writers as Nat Hentoff, Norman Mailer, Parker Tyler, and Amos Vogel, the book presents writing on the films of Jean-Luc Godard, Pier Paolo Pasolini, Ousmane Sembene, Andy Warhol, and others and offers incisive essays and interviews from the late 1950s to early 1970s. Articles explore politics, revolution, and the cinema; underground and experimental film, pornography, and censorship; and the rise of independent film against the dominance of Hollywood. A new introductory essay by Ed Halter reveals the important role Evergreen Review and its publisher, Grove Press, played in advancing cinema during this period through innovations in production, distribution, and exhibition. Editor Ed Halter began working on this book in 2001 with Barney Rosset, using his personal files and interviews with him as initial research.
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Autorenporträt
ED HALTER is a critic and curator living in New York City. He is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, New York, and his writing has appeared in Artforum, the Believer, Bookforum, Cinema Scope, frieze, Little Joe, Mousse, Rhizome, Triple Canopy, the Village Voice, and elsewhere. His book From Sun Tzu to Xbox: War and Video Games was published in 2006, and he is a 2009 recipient of the Creative Capital Warhol Foundation Arts Writers Grant. From 1995 to 2005, Halter programmed and oversaw the New York Underground Film Festival. He has curated screenings and exhibitions at Artists Space, BAM, the Flaherty Film Seminar, the ICA in London, the Museum of Modern Art, the New Museum, and Tate Modern, as well as the cinema component of Greater New York 2010 at MoMA PS1, and the film and video program for the 2012 Whitney Biennial. He teaches in the Film and Electronic Arts department at Bard College and is currently writing a critical history of contemporary experimental cinema in America. BARNEY ROSSET (1922-2012) was the legendary publisher who brought to America the works of dramatists Samuel Beckett and Harold Pinter, the anti-imperialist political writings of Che Guevara and Ho Chi Minh, and who published the scandalous novels of Henry Miller and William Burroughs in spite of outrage and accusations of indecency. Beat poets, French surrealists, German expressionists, and dramatists of the absurd-they all found a home at Grove Press, which he owned and ran from 1951-1985, and in the pages of the avant-garde magazine Evergreen Magazine, which he founded in 1957. A champion in the fight against all forms of puritanism, Rosset was taken to court several times on obscenity charges, most notably for publishing three novels now considered classics, Lady Chatterley's Lover, The Tropic of Cancer, and Naked Lunch. In 1964, during a trial that would forever change the meaning of American culture and contribute to breaking down most censorship barriers, the Supreme Court would rule in his favor against those who demanded that The Tropic of Cancer be banned. Rosset had a lifelong interest in film as an art form. After serving in WWII, he shot the anti-racist documentary Strange Victory. In 1965 he commissioned Samuel Beckett to write the short movie Film, which Rosset then directed and produced starring Buster Keaton. In 1967, he bought a cinema in the Village, where he showed the Swedish film I Am Curious (Yellow), whose explicit scenes of sex and nudity brought him once again to court. Rosset was named an officer of arts and letters by the French cultural ministry and honored by the National Coalition Against Censorship for defending free expression. In 2008, he also received the lifetime achievement Literarian Award from the National Book Foundation in honor of his contributions to American publishing. A posthumous autobiography titled Barney Rosset: My Life in Publishing and How I Fought Censorship was published in 2017.
Inhaltsangabe
Introduction Ed Halter 1958 The Angry Young Film Makers Amos Vogel 1960 Jazz on a Summer's Day Jerry Tallmer The Magic Box Jerry Tallmer 1967 Dragtime and Drugtime, or, Film à la Warhol Parker Tyler Someday What You Really are is Going to Catch Up with You Michael O'Donoghue 13 Confusions Amos Vogel The New American Cinema: Five Replies to Amos Vogel Dan Talbot, Parker Tyler, Annette Michelson, Richard Schnickel, Gregory Markopoulos, with additional reply from Jonas Mekas Chappaqua Lawrence Shainberg 1968 Turning the Camera into the Audience Nat Hentoff Norman Mailer's Wild 90 Lita Eliscu Warhol's Nude Restaurant Stefan S. Brecht Vietnam Déjà Vu: A Film Review of Godard's La Chinoise Lita Eliscu The Edge Lita Eliscu Sex and Politics: An Interview with Vilgot Sjöman John Lahr The Sixth New York Film Festival Sidney Bernard 1969 A Way of Life: An Interview with John Cassavetes Andre S. Labarthe Lola in LA: An Interview with Jacques Demy Michel Delahaye The Day Rap Brown Became a Press Agent for Paramount Amos Vogel Solanas: Film as a Political Essay Louis Marcorelles Easy Rider: A Very American Thing L.M. Kit Carson Participatory Television Nat Hentoff Rocha's Film as Carnival Frieda Grafe Rimbaud's Desert as Seen by Pasolini Wallace Fowlie
1970 Mister Freedom: An Interview with William Klein Abraham Segal Destroy, She Said: An Interview with Marguerite Duras Jacques Rivette & Jean Narboni The Man Who Lies: An Interview with Alain Robbe-Grillet Tom and Helen Bishop Do They or Don't They? Why It Matters So Much Parker Tyler Mandabi: Confronting Africa Julius Lester Seeing America First with Andy Warhol Dotson Rader "It Could Only Happen in California" Dotson Rader Women's Lib: Save the Last Dance for Me Tom Seligson Have You Seen It All, Dennis Hopper? L.M. Kit Carson Woodstock: An Interview with Michael Wadleigh and Bob Maurice Kent E. Carroll Mucking with the Real L.M. Kit Carson Film and Revolution: An Interview with Jean-Luc Godard Kent E. Carroll We: A Manifesto, Dziga Vertov Papatakis: Tiger in a Think-Tank Parker Tyler Hollywood's Last Stand Tom Seligson 1971 Fonda, My Buddy Seymour Krim Eros and the Muses Jerome Tarshis The First Annual Congress of the High Church of Hard Core Robert Coover News from Phyllis and Eberhard Kronhausen Sara Davidson Those Homophile Husbands Parker Tyler Pasolini's Decameron Tom Hamilton Film: Freaks and Fellini Nat Hentoff Perverse Chic Tom Seligson 1973 A Transit to Narcissus Norman Mailer
Introduction Ed Halter 1958 The Angry Young Film Makers Amos Vogel 1960 Jazz on a Summer's Day Jerry Tallmer The Magic Box Jerry Tallmer 1967 Dragtime and Drugtime, or, Film à la Warhol Parker Tyler Someday What You Really are is Going to Catch Up with You Michael O'Donoghue 13 Confusions Amos Vogel The New American Cinema: Five Replies to Amos Vogel Dan Talbot, Parker Tyler, Annette Michelson, Richard Schnickel, Gregory Markopoulos, with additional reply from Jonas Mekas Chappaqua Lawrence Shainberg 1968 Turning the Camera into the Audience Nat Hentoff Norman Mailer's Wild 90 Lita Eliscu Warhol's Nude Restaurant Stefan S. Brecht Vietnam Déjà Vu: A Film Review of Godard's La Chinoise Lita Eliscu The Edge Lita Eliscu Sex and Politics: An Interview with Vilgot Sjöman John Lahr The Sixth New York Film Festival Sidney Bernard 1969 A Way of Life: An Interview with John Cassavetes Andre S. Labarthe Lola in LA: An Interview with Jacques Demy Michel Delahaye The Day Rap Brown Became a Press Agent for Paramount Amos Vogel Solanas: Film as a Political Essay Louis Marcorelles Easy Rider: A Very American Thing L.M. Kit Carson Participatory Television Nat Hentoff Rocha's Film as Carnival Frieda Grafe Rimbaud's Desert as Seen by Pasolini Wallace Fowlie
1970 Mister Freedom: An Interview with William Klein Abraham Segal Destroy, She Said: An Interview with Marguerite Duras Jacques Rivette & Jean Narboni The Man Who Lies: An Interview with Alain Robbe-Grillet Tom and Helen Bishop Do They or Don't They? Why It Matters So Much Parker Tyler Mandabi: Confronting Africa Julius Lester Seeing America First with Andy Warhol Dotson Rader "It Could Only Happen in California" Dotson Rader Women's Lib: Save the Last Dance for Me Tom Seligson Have You Seen It All, Dennis Hopper? L.M. Kit Carson Woodstock: An Interview with Michael Wadleigh and Bob Maurice Kent E. Carroll Mucking with the Real L.M. Kit Carson Film and Revolution: An Interview with Jean-Luc Godard Kent E. Carroll We: A Manifesto, Dziga Vertov Papatakis: Tiger in a Think-Tank Parker Tyler Hollywood's Last Stand Tom Seligson 1971 Fonda, My Buddy Seymour Krim Eros and the Muses Jerome Tarshis The First Annual Congress of the High Church of Hard Core Robert Coover News from Phyllis and Eberhard Kronhausen Sara Davidson Those Homophile Husbands Parker Tyler Pasolini's Decameron Tom Hamilton Film: Freaks and Fellini Nat Hentoff Perverse Chic Tom Seligson 1973 A Transit to Narcissus Norman Mailer
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