Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses-theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert…mehr
Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses-theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia looks at all aspects of Bowie's career in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Shelton Waldrep is Distinguished Professor of English at the University of Southern Maine, USA. He is the author of The Dissolution of Place: Architecture, Identity, and the Body (2013) and The Aesthetics of Self-Invention: Oscar Wilde to David Bowie (2004), the co-author of Inside the Mouse: Work and Play at Disney World (1995), and the editor of The Seventies: The Age of Glitter in Popular Culture (1999).
Inhaltsangabe
Acknowledgements List of Figures Chapter One Introduction:The Pastiche of Gender Chapter Two The Persistence of the Dandy:Subcultures and Resistance Chapter Three Avatars of the Future:Structuring Music Chapter Four The Grain of the Voice:Autobiography and Multiplicity Chapter Five The Lost Decade:Reconsidering the 1980s Chapter Six Music for Cyborgs:Fictions of Disability General Bibliography Index
Acknowledgements List of Figures Chapter One Introduction:The Pastiche of Gender Chapter Two The Persistence of the Dandy:Subcultures and Resistance Chapter Three Avatars of the Future:Structuring Music Chapter Four The Grain of the Voice:Autobiography and Multiplicity Chapter Five The Lost Decade:Reconsidering the 1980s Chapter Six Music for Cyborgs:Fictions of Disability General Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826