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  • Format: ePub

Spinning was seen as both an economic and political activity that could bring together the diverse population of South Asia. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its reinterpretation, deployment and manipulation by the anti-colonial movement.

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Produktbeschreibung
Spinning was seen as both an economic and political activity that could bring together the diverse population of South Asia. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its reinterpretation, deployment and manipulation by the anti-colonial movement.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Rebecca M. Brown is visiting Associate Professor in Political Science and the History of Art at Johns Hopkins University, US, researching colonial and post-independence in South Asia. Her publications include Art for a Modern India, 1947-1980 (2009) and Asian Art (co-edited with Deborah S. Hutton, 2006).