Gender in Music Production (eBook, PDF)

Redaktion: Hepworth-Sawyer, Russ; Marrington, Mark; King, Liesl; Hodgson, Jay

• Format: PDF

Produktbeschreibung

Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students and researchers working in the field of music production today.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 302
• Erscheinungstermin: 7. April 2020
• Englisch
• ISBN-13: 9780429875861
• Artikelnr.: 59151760

Autorenporträt

Russ Hepworth-Sawyer is a sound engineer and producer with over two decades' experience of all things audio and is a member of the Association of Professional Recording Services and a former board member and continuing member of the Music Producers Guild, where he helped form their Mastering Group. Jay Hodgson is an associate professor of popular music studies at Western University, where he mostly teaches songwriting and the project paradigm of record production. Dr Liesl King is Associate Head of School: Creative Writing, Media and Film Studies at York St John University in York, England. Mark Marrington trained in composition and musicology at the University of Leeds (M.Mus., Ph.D.) and is currently a Senior Lecturer in Music Production at York St John University.

Inhaltsangabe

List of Contributors
Chapter 1: Gender In Music Production- An Introduction
Russ Hepworth-Sawyer, Liesl King & Mark Marrington
Part I: History and Context
Chapter 2: Mark Marrington, Women in music production: a contextualized
history from the 1890s to the 1980s
Chapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music
production in Spain during the 1960s: Maryní Callejo and the "Brincos
Sound"
Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the
Twentieth and Twenty-First Centuries Trikitixa
Chapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..."
:exploring the experience of female and non binary DJs in the UK music
scene.
Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female
bagpipers in the production of local tradition and gender identity
Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music
Production
Part II: Women in the Studio
Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or
leaving it ajar?
Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson
Chapter 10: Liesl King, Twists in the Tracks: An interview with singer,
composer, and sound producer Aynee Osborn Joujon Roche
Part III: Personal Perspectives
Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through
the perspective of a civil war survivor
Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of
gender allies, tempered radicals and pioneers.
Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective
Through a Female and Feminine Lens
Part IV: Industrial Evolution
Chapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael
Lovedee-Turner, Addressing gender equality in Music Production: current
challenges, opportunities for change and recommendations
Chapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and
the Leveraging of Difference
Chapter 16: Liz Dobson, Conversations in Berlin: discourse on gender,
equilibrium and empowerment in audio production
Index