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  • Format: ePub

In his third published book, Prof. Stewart probes the subject of gender using newly discovered scientific evidence, as well as religious scriptures from around the globe. This book offers concrete solutions for the perpetual "Battle of the Sexes" issue between men and women. It also offers valuable assistance for marginalized groups who identify as other than heterosexual. If you're seeking scientific or religious answers, rather than merely reading that which repeats the problems between genders, this is certainly the book for you.

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Produktbeschreibung
In his third published book, Prof. Stewart probes the subject of gender using newly discovered scientific evidence, as well as religious scriptures from around the globe. This book offers concrete solutions for the perpetual "Battle of the Sexes" issue between men and women. It also offers valuable assistance for marginalized groups who identify as other than heterosexual. If you're seeking scientific or religious answers, rather than merely reading that which repeats the problems between genders, this is certainly the book for you.


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Autorenporträt
Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U.C. Berkeley, into a special program for humans with Paranormal gifts. His fields of expertise are child extraction from cults, world religions, science, and the Occult. Musician was his deep cover or camouflage life.

Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders. Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades