Gender, Otherness, and Culture in Medieval and Early Modern Art (eBook, PDF)

Redaktion: Bradbury, Carlee A.; Moseley-Christian, Michelle

• Format: PDF

Produktbeschreibung

This collection examines gender and Otherness other as tools to understand medieval and early modern art as products of their social environments. The essays, uniting a diverse array of up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion honor, virtue, sexuality, and motherhood, among others.

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Produktdetails

• Verlag: Springer International Publishing
• Seitenzahl: 244
• Erscheinungstermin: 29. November 2017
• Englisch
• ISBN-13: 9783319650494
• Artikelnr.: 53062158

Autorenporträt

Carlee A. Bradbury is Associate Professor of Art History at Radford University. Michelle Moseley-Christian is Associate Professor of Art History at Virginia Polytechnic Institute and State University. 

Inhaltsangabe

1 Introduction .- "Aspectu Desiderabilis": A Thirteenth Century Reliquary of David with the Face of Medusa.- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges.- Gender and Poverty in Late Medieval Art.- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III.- "In Love and Faithfulness Toward One Another Like Brothers." Dürer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity.- "The monster, death, becomes pregnant": Female Transi Tombs from Renaissance France.- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.

Rezensionen

"The volume ... summarizes the state of research and outlines the major theoretical issues in considering the intersection of gender, 'otherness,' and visual culture. ... it should become a desiratum for scholars interested in gender." (Diane Wolfthal, Early Modern Women Journal, Vol. 13 (2), 2019)