Gender, Sexuality, and Early Music (eBook, ePUB)
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Gender, Sexuality, and Early Music (eBook, ePUB)
Redaktion: Borgerding, Todd C.
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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 312
- Erscheinungstermin: 28. Oktober 2013
- Englisch
- ISBN-13: 9781136533235
- Artikelnr.: 47895780
- Verlag: Taylor & Francis
- Seitenzahl: 312
- Erscheinungstermin: 28. Oktober 2013
- Englisch
- ISBN-13: 9781136533235
- Artikelnr.: 47895780
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Todd Borgerding is Assistant Professor of Music at the University of Wisconsin-Oshkosh.
Chapter 1 Isabella Medici-Orsini: A Portrait of Self-Affirmation
DONNA G.CARDAMONE; Chapter 2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History
NINATREADWELL; Chapter 3 Madalena Casulana
THOMASINLAMAY; Chapter 4 Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
KELLEYHARNESS; Chapter 5 Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
LAURIESTRAS; Chapter 6 Gossip
Erotica
and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567)
CHRISTINAFUHRMANN; Chapter 7 Construction of Desire in Early Baroque Instrumental Music
ANDREWDELL'ANTONIO; Chapter 8 Music
Sex
and Ethnicity: Signification in Lully's Theatrical Chaconnes
ROSE A.PRUIKSMA; Chapter 9 Sic ego te dilegebam: Music
Homoeroticism
and the Sacred in Early Modern Europe
TODD M.BORGERDING; Chapter 10 Christine de Pizan and 'Dueil Angoisseux'
LIANECURTIS; Chapter Postscript: Dancing with the Ingrate
SUZANNECUSICK; Chapter Contributors Index;
DONNA G.CARDAMONE; Chapter 2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History
NINATREADWELL; Chapter 3 Madalena Casulana
THOMASINLAMAY; Chapter 4 Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
KELLEYHARNESS; Chapter 5 Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
LAURIESTRAS; Chapter 6 Gossip
Erotica
and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567)
CHRISTINAFUHRMANN; Chapter 7 Construction of Desire in Early Baroque Instrumental Music
ANDREWDELL'ANTONIO; Chapter 8 Music
Sex
and Ethnicity: Signification in Lully's Theatrical Chaconnes
ROSE A.PRUIKSMA; Chapter 9 Sic ego te dilegebam: Music
Homoeroticism
and the Sacred in Early Modern Europe
TODD M.BORGERDING; Chapter 10 Christine de Pizan and 'Dueil Angoisseux'
LIANECURTIS; Chapter Postscript: Dancing with the Ingrate
SUZANNECUSICK; Chapter Contributors Index;
Chapter 1 Isabella Medici-Orsini: A Portrait of Self-Affirmation
DONNA G.CARDAMONE; Chapter 2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History
NINATREADWELL; Chapter 3 Madalena Casulana
THOMASINLAMAY; Chapter 4 Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
KELLEYHARNESS; Chapter 5 Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
LAURIESTRAS; Chapter 6 Gossip
Erotica
and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567)
CHRISTINAFUHRMANN; Chapter 7 Construction of Desire in Early Baroque Instrumental Music
ANDREWDELL'ANTONIO; Chapter 8 Music
Sex
and Ethnicity: Signification in Lully's Theatrical Chaconnes
ROSE A.PRUIKSMA; Chapter 9 Sic ego te dilegebam: Music
Homoeroticism
and the Sacred in Early Modern Europe
TODD M.BORGERDING; Chapter 10 Christine de Pizan and 'Dueil Angoisseux'
LIANECURTIS; Chapter Postscript: Dancing with the Ingrate
SUZANNECUSICK; Chapter Contributors Index;
DONNA G.CARDAMONE; Chapter 2 "Simil combattimento fatto da Dame": The Musico-theatrical Entertainments of Margherita Gonzaga's balletto delle donne and the Female Warrior in Ferrarese Cultural History
NINATREADWELL; Chapter 3 Madalena Casulana
THOMASINLAMAY; Chapter 4 Chaste Warriors and Virgin Martyrs in Florentine Musical Spectacle
KELLEYHARNESS; Chapter 5 Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
LAURIESTRAS; Chapter 6 Gossip
Erotica
and the Male Spy in Alessandro Striggio's Il Cicalamento delle donne al bucato (1567)
CHRISTINAFUHRMANN; Chapter 7 Construction of Desire in Early Baroque Instrumental Music
ANDREWDELL'ANTONIO; Chapter 8 Music
Sex
and Ethnicity: Signification in Lully's Theatrical Chaconnes
ROSE A.PRUIKSMA; Chapter 9 Sic ego te dilegebam: Music
Homoeroticism
and the Sacred in Early Modern Europe
TODD M.BORGERDING; Chapter 10 Christine de Pizan and 'Dueil Angoisseux'
LIANECURTIS; Chapter Postscript: Dancing with the Ingrate
SUZANNECUSICK; Chapter Contributors Index;