Jemma Kennedy

Genesis Inc. (NHB Modern Plays) (eBook, ePUB)

• Format: ePub

Produktbeschreibung

Serena and Jeff have one last chance to conceive: Genesis Incorporated, whose glowing testimonials and bespoke treatments surely justify a final roll of the dice.

Meanwhile, Bridget has put it all on ice while she focuses on her high-flying career and on finding Mr Right. And all Miles wants is to be able to afford a property in Zone 4 - oblivious to the fact that, in a different kind of currency, he's actually the richest of them all...

Genesis Inc. explores the final frontier of twenty-first-century capitalism: the privatisation of human reproduction.

Jemma Kennedy's explosively funny new comedy takes a closer look at the lengths to which people will go to defy biology - and at the moral compass of an industry that trades on fear and hope. It premiered at Hampstead Theatre, London, in 2018, in a production directed by Laurie Sansom.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Nick Hern Books
• Seitenzahl: 120
• Erscheinungstermin: 16. Juli 2018
• Englisch
• ISBN-13: 9781788500661
• Artikelnr.: 53221065

Autorenporträt

Jemma Kennedy's plays include Second Person Narrative for Tonic Theatre's Platform initiative; The Gift, part of the Hoard Festival for the New Vic Theatre; The Summer Book and The Prince and the Pauper for the Unicorn Theatre; The Grand Irrationality for the Lost Theatre Studio (Los Angeles) and Don't Feed the Animals for National Theatre Connections 2013. Jemma was Pearson Playwright at the National Theatre in 2010 and part of the inaugural Soho 6 writing scheme with Soho Theatre Company in 2012. Her novel Skywalking was published by Penguin/Viking in 2002. Jemma has acted as a writing mentor and judge for the National Theatre's New Views playwriting course and competition for young writers, and teaches playwriting at the National Theatre's Clore Learning Centre. She has also mentored writers for the Koestler Trust.