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Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, the book interrogates questions of authorial subversion, gendered concepts of film authorship and male/female genre divisions, as well as re-evaluating certain genres as a space worthy of feminist criticism. By…mehr

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Produktbeschreibung
Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard. Exploring genres as diverse as horror, the war movie, the Western, the costume biopic and the romantic comedy, the book interrogates questions of authorial subversion, gendered concepts of film authorship and male/female genre divisions, as well as re-evaluating certain genres as a space worthy of feminist criticism. By offering an analysis of the films themselves and the circumstances of production and reception, this book redefines political, theoretical and commercial conceptualisations of women's cinema, and offers new perspectives on how women filmmakers explore the aesthetic and imaginative power of genre.

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Autorenporträt
Katarzyna Paszkiewicz lectures in the Department of Modern Languages and English Studies at the University of Barcelona. Her research focuses on film genres and women's cinema in the USA and Spain. She has published book chapters and journal articles on Kathryn Bigelow, Sofia Coppola, Nancy Meyers, Icíar Bollaín and Isabel Coixet. Most recently she has co-edited with Mary Harrod the forthcoming Women Do Genre in Film and Television (Routledge, 2018).