First published in 2003, this book explores the substantial evidence of the importance of Friedrich Schiller's thought to George Eliot's novelistic art. It demonstrates the relationship between Schiller's work and Eliot's plotting of moral vision, the tensions in her work between realism and idealism, and her aesthetics. It also contends that the immense continental underpinnings of Eliot's writing should lead us to resituate her beyond national boundaries, and view her as a major European, as well as English, writer.
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