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Mary Anne Evans was born in 1819. Her Father did not consider her a great beauty and thought her chances of marriage were slim. He therefore invested in her education. By 1850 she had moved to London to work at the Westminster Review where she published many articles and essays. Her view on literature had taken some time to coalescence but with the publication of parts of "Scenes From A Clerical Life" in 1858 she knew she wanted to be a novelist and as her 1856 titled essay "Silly Novels by Lady Novelists" stated not a 'silly woman's one at that. Success of course meant that her real name came…mehr
Mary Anne Evans was born in 1819. Her Father did not consider her a great beauty and thought her chances of marriage were slim. He therefore invested in her education. By 1850 she had moved to London to work at the Westminster Review where she published many articles and essays. Her view on literature had taken some time to coalescence but with the publication of parts of "Scenes From A Clerical Life" in 1858 she knew she wanted to be a novelist and as her 1856 titled essay "Silly Novels by Lady Novelists" stated not a 'silly woman's one at that. Success of course meant that her real name came out but it seemed not to affect how the public devoured her novels. Here, we look with a keen eye at her poetry. Although slim in number she is able to take a situation, scene or thought and bring us into its world with undeniable care. Many of these titles are on our audiobook version which can be purchased from iTunes, Amazon and other digital stores.
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Autorenporträt
Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.
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