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Autorenporträt
Liam Cagney is the co-editor of the Oxford Handbook of Spectral Music, and his musical criticism appears regularly in places like Gramophone, the Guardian, the Telegraph, the Spectator, the TLS, and the Irish Times. He is the recipient of an Arts Council of Ireland Emerging Writer Bursary and a City, University of London doctoral studentship. He teaches at BIMM University.
Inhaltsangabe
Introduction PART I. Grisey's Style 1. Grisey's early formation (1960-65) 2. Messiaen's class and new music in late 1960s Paris (1967-70) 3. Statistical serialism and Vagues, chemins, le souffle (1970-72) 4. On the threshold: D'eau et de pierre (1972) PART II. Spectral Music 5. Psychoacoustics and the new compositional framework (1973-74) 6. L'Itinéraire and synthetic music (1973-76) 7. New Dimensions (1976-78) 8. Spectral music and écriture liminale (1979-82) Conclusion.
Introduction PART I. Grisey's Style 1. Grisey's early formation (1960-65) 2. Messiaen's class and new music in late 1960s Paris (1967-70) 3. Statistical serialism and Vagues, chemins, le souffle (1970-72) 4. On the threshold: D'eau et de pierre (1972) PART II. Spectral Music 5. Psychoacoustics and the new compositional framework (1973-74) 6. L'Itinéraire and synthetic music (1973-76) 7. New Dimensions (1976-78) 8. Spectral music and écriture liminale (1979-82) Conclusion.
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