Mary M. Doi

Gesture, Gender, Nation (eBook, PDF)

Dance and Social Change in Uzbekistan

• Format: PDF

Produktbeschreibung

The national dancers of Uzbekistan are almost always female. In a society that has been Muslim for nearly seven hundred years, why and how did unveiled female dancers become a beloved national icon during the Soviet period? Also, why has their popularity continued after the Uzbek republic became independent? The author argues that dancers, as symbolic girls or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state. The female dancing body became a tabula rasa upon which the state inscribed, and reinscribed, constructions of Uzbek nationalism.

Doi describes the politics of gender in households as well as the dominant kinship idioms in Uzbek society. She traces the rise of national dance as a profession for women during the Soviet period, prior to which women wore veils and kept purdah. The final chapter examines emerging notions of Uzbek, as regional and national groups contest the notion through debates about what constitutes authentic Uzbek dance. Doi concludes with a comparative discussion of the power of marginality, which enabled Uzbeks to maintain a domain where Uzbek culture and history could be honored, within the Russocentric hegemony of the Soviet state.

Produktdetails

• Verlag: Bloomsbury Publishing Inc
• Seitenzahl: 168
• Altersempfehlung: ab 7 Jahre
• Erscheinungstermin: 30. November 2001
• Englisch
• ISBN-13: 9780313074028
• Artikelnr.: 68529143

Autorenporträt

MARY MASAYO DOI is Assistant Professor of Anthropology, Bryn Mawr College.

Inhaltsangabe

Prologue Introduction Gender, Kinship and Nationalism Taboo Breakers: The Early Soviet Years (1924
1942) The War Years: "We Made Dance a Beautiful Diamond" (circa 1943
1953) From Genealogical to Generic (circa 1954
1990) Independence (1991
1994) Conclusion: "It is We Who Own Uzbekistan Now!" Bibliographic Note on Dance Index