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In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one's birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one's birth; one wrestles with one's American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one's birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. -Shane McCrae…mehr
In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one's birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one's birth; one wrestles with one's American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one's birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. -Shane McCrae
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Baba Badji is a Senegalese-American poet, translator, researcher, and PhD candidate in Comparative Literature at Washington University in St. Louis. He came to America when he was eleven years-old. He currently lives in St. Louis, but his permanent home is Senegal, where his extended family remains, and New York City. Badji's research and teaching interests center on the links between the various forms of postcolonial studies, theory, and practice, with a particular focus on debates about postcolonial translation theory and Négritude in Anglophone and Francophone cultures. Besides English and French, he is fluent in Wolof, Mending, and Diola, and he calls on these languages in his writing.
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