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  • Format: ePub

This volume of critical essays meditates on the evidence and representation of the ghostly
in the visual, literary, and cultural imagination of Britain, Europe, America, and Asia from
the nineteenth century to the contemporary.

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  • Größe: 11.35MB
Produktbeschreibung
This volume of critical essays meditates on the evidence and representation of the ghostly

in the visual, literary, and cultural imagination of Britain, Europe, America, and Asia from

the nineteenth century to the contemporary.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Stefano Cracolici is Professor of Italian Art and Literature, Director of the Zurbarán Centre for Spanish and Latin American Art and Associate Director of the Centre for Poetry and Poetics, at Durham University. He is author of Il ritratto di Archigynia: Filippo Nuvoloni (1441-1478) e il suo Dyalogo d'amore (2009), and co-author, with Stefano Carrai and Monica Marchi, of La letteratura a Siena nel Quattrocento. He is completing a monograph on Fabiola: lo spettacolo del martirio (forthcoming, 2020). Mark Sandy is Professor of English at the Durham University. He is a member of the Centre for Poetry and Poetics, an advisory board member of the Centre for Death and Life Studies, and a co-founding member of the 'Romantic Dialogues and Legacies' research group at Durham University. He is author of Poetics of Self and Form in Keats and Shelley (2005) and Romanticism, Memory, and Mourning (2013). His most recent book explores Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment (2020).