Pacini's Memoirs offer a first-hand perspective -- albeit, colored by retrospection -- not only of the works of Rossini, Bellini, Donizetti, and other lesser known contemporaries such as SaverioMercadante, but how they were regarded in the public eye during the height of their fame. Presenting a voice of keen involvement during this historical moment, Pacini paints a colorful picture of the operatic world, filled candidcritiques of audiences, trial-and-error edits to suit singers' voices, negotiations with a notorious impresario, and dialogues that illuminated contemporary musical aesthetics. He provides an insider's perspective to a composer'swork within the business-oriented milieu of operatic production in the early to mid-nineteenth century.
The Memoirs were first published in serial form in an Italian music journal. Tom Moore's new translation into Englishis complemented by an informative foreword by opera scholar Jane Sylvester.
TOM MOORE holds degrees in music from Harvard and Stanford and studied traverso with Sandra Miller. He is presently Head of the Sound & ImageDepartment of the Green Library, Florida International University, Miami, Florida.
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