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  • Format: ePub

Giving and Taking Voice in Learning Disabled Theatre offers unique insight into the question of 'voice' in learning disabled theatre and what is gained and lost in making performance. It is grounded in the author's eighteen years of making theatre with Different Light Theatre company.

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Produktbeschreibung
Giving and Taking Voice in Learning Disabled Theatre offers unique insight into the question of 'voice' in learning disabled theatre and what is gained and lost in making performance. It is grounded in the author's eighteen years of making theatre with Different Light Theatre company.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Tony McCaffrey is a Senior Lecturer at the National Academy of Singing and Dramatic Art, Ara Institute, Christchurch, New Zealand. He has been Artistic Director of Different Light Theatre since 2004 and is the Co-convenor of the Performance and Disability Working Group of the International Federation for Theatre Research.

Rezensionen
"Giving and Taking Voice in Learning Disabled Theatre offers insight into the specific production history of a learning disability-focussed theatre company... I think this book may be most valuable to disability arts scholars looking to engage with the questions that McCaffrey presents and may use this text to situate the work of Different Light alongside other learning-disabled theatre companies." Becky Gold in Research in Drama Education (RiDE): The Journal of Applied Theatre and Performance
"Giving and Taking Voice in Learning Disabled Theatre offers insight into the specific production history of a learning disability-focussed theatre company... I think this book may be most valuable to disability arts scholars looking to engage with the questions that McCaffrey presents and may use this text to situate the work of Different Light alongside other learning-disabled theatre companies." Becky Gold in Research in Drama Education (RiDE): The Journal of Applied Theatre and Performance