Global Art Cinema (eBook, PDF)

New Theories and Histories
Redaktion: Galt, Rosalind; Schoonover, Karl

• Format: PDF

Produktbeschreibung

"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies.

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Produktdetails

• Verlag: Oxford University Press
• Erscheinungstermin: 14. April 2010
• Englisch
• ISBN-13: 9780199726295
• Artikelnr.: 57084566

Autorenporträt

Rosalind Galt is a Senior Lecturer in film studies in the School of Media, Film and Music at the University of Sussex. She is the author of The New European Cinema: Redrawing the Map (2006), an assessment of the spaces of European cinema after the fall of the Berlin Wall, as well as articles in journals such as Screen, Camera Obscura, Cinema Journal and Discourse, and in the collections European Film Theory (2008) and On Michael Haneke (2010). Karl Schoonover is Assistant Professor of film studies in the Department of English at Michigan State University. He is currently completing a book that examines corporeality in Italian neorealism.

Inhaltsangabe

* Foreword
* Dudley Andrew
* Introduction
* The Impurity of Art Cinema
* Rosalind Galt and Karl Schoonover
* 1.: Delimiting the Field
* Beyond Europe: A Parametric Tradition?
* Mark Betz
* The Fantastic Trajectory of Pink Art Cinema From Stalin to Bush
* Sharon Hayashi
* Towards an Inclusive, Exclusive Approach to Art Cinema
* David Andrews
* Unthinking Heterocentrism: Bisexual Representability in Art Cinema
* Maria San Filippo
* Interactive Art Cinema: Between "Old" and "New" Media with Un Chien
andalou and eXistenZ
* Adam Lowenstein
* 2.: The Art Cinema Image
* Art/Cinema and Cosmopolitanism Today
* Brian Price
* Between Auditorium and Gallery: Perception in Apichatpong
Weerasethakul's Films and Installations
* Jihoon Kim
* Pasolini's Exquisite Flowers: "The 'Cinema of Poetry'" as aTheory of
Art Cinema
* John David Rhodes
* From Index to Figure in the European Art Film: The Case of The
Conformist
* Angelo Restivo
* Surrealism in Art and Film: Face and Time
* Angela Dalle Vacche
* 3.: Art Cinema Histories
* The Volcano and the Barren Hill: Gabriel Figueroa and the Space of
Art Cinema
* Patrick Keating
* The Essay Film as a Cinema of Ideas
* Timothy Corrigan
* The Cloud-Capped Star: Ritwik Ghatak on the Horizon of Global Art
Cinema
* Manishita Dass
* Notes on Art Cinema and the Emergence of Sub-Saharan Film
* Philip Rosen
* Disentangling the International Festival Circuit: Genre and Iranian
Cinema
* Azadeh Farahmand
* 4.: Geopolitical Intersections
* European Art Cinema, Affect, and Post-colonialism: Herzog, Denis, and
the Dardenne Brothers
* E. Ann Kaplan
* Offering Tales They Want to Hear: Transnational European Film Funding
as Neo-Orientalism
* Randall Halle
* Abderrahmane Sissako: Second and Third Cinema in the First Person
* Rachel Gabara
* Tsai Ming-liang's Haunted Movie Theater
* Jean Ma
* Traveling Theory, Shots, and Players: Jorge Sanjinés, New Latin
American Cinema, and the European Art Film
* Dennis Hanlon
* Critical Bibliography
* Notes on the Contributors