Global Art Markets (eBook, PDF)
History and Current Trends
Redaktion: Robertson, Iain; Afonso, Luís U.; Chong, Derrick
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Global Art Markets (eBook, PDF)
History and Current Trends
Redaktion: Robertson, Iain; Afonso, Luís U.; Chong, Derrick
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The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes.
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The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 322
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040256961
- Artikelnr.: 72279507
- Verlag: Taylor & Francis
- Seitenzahl: 322
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040256961
- Artikelnr.: 72279507
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Iain Robertson is Professor of Art and Cultural Management at Hongik University, South Korea. Derrick Chong is Senior Lecturer in Business and Management at Royal Holloway, University of London, UK. Luís U. Afonso is Senior Associate Professor of Art History at the School of Arts and Humanities of the University of Lisbon, Portugal.
1. Introduction to Global Art Markets Iain Robertson, Derrick Chong, Luís
U. Afonso Part I. 2. World trade and artistic exchanges in early
globalization: Lisbon c.1500 Luís U. Afonso 3. A mass market for the visual
arts: the golden age of Dutch painting during the seventeenth century
Filip Vermeylen 4. The French provinces in the eighteenth century: a desert
for the art market? Sophie Raux 5. Collecting patterns for Chinese art:
1600-1935 Nick Pearce 6. Dealer networks: the global market for
Impressionism and Post-Impressionism from 1870 until 1930 Frances Fowle 7.
When the dealer shapes demand: Stefano Bardini, master influencer Lynn
Catterson 8. Regulating the wartime Dutch art market Jeroen Euwe Part II.
9. Caribbean contemporary art: from (neo)colonial outpost to creative
eco/system Carlos Garrido Castellano 10. Heirs of the feathered serpent:
the emergence of indigenous contemporary art in Brazil René Lommez Gomes
11. Western auction houses' global expansion Natasha Degen 12. Singapore's
aspirations to be a global art market hub Anita Archer 13. How do emerging
artists enter the art market? A view from France Jérôme Glicenstein 14.
Collecting contemporary art in Russia Marina Maximova 15. The art market
out of sight John Zarobell Part III. 16. Web3 and the global art market:
smokescreens and opportunities Nicolas Galley 17. Art market innovation
Loizos Petrides 18. Platformisation and transparency in the global art
market Marios Samdanis 19. NFTs (non-fungible tokens) and the emergence of
a new category in Sotheby's and Christie's global auction market Marta
Herrero & Georgia Gerson 20. Disruptive innovation or innovation delusion?
Impact of NFTs on the Korean art market Minha Lee & Woongjo Chang 21.
Digital art and value creation: exploring art market dynamics Melanie
Fasche 22. On returns and risks in art auction markets Yuexin Li & Luc
Renneboog 23. Art as an asset class and as a component of a financial
portfolio Kim Oosterlinck
U. Afonso Part I. 2. World trade and artistic exchanges in early
globalization: Lisbon c.1500 Luís U. Afonso 3. A mass market for the visual
arts: the golden age of Dutch painting during the seventeenth century
Filip Vermeylen 4. The French provinces in the eighteenth century: a desert
for the art market? Sophie Raux 5. Collecting patterns for Chinese art:
1600-1935 Nick Pearce 6. Dealer networks: the global market for
Impressionism and Post-Impressionism from 1870 until 1930 Frances Fowle 7.
When the dealer shapes demand: Stefano Bardini, master influencer Lynn
Catterson 8. Regulating the wartime Dutch art market Jeroen Euwe Part II.
9. Caribbean contemporary art: from (neo)colonial outpost to creative
eco/system Carlos Garrido Castellano 10. Heirs of the feathered serpent:
the emergence of indigenous contemporary art in Brazil René Lommez Gomes
11. Western auction houses' global expansion Natasha Degen 12. Singapore's
aspirations to be a global art market hub Anita Archer 13. How do emerging
artists enter the art market? A view from France Jérôme Glicenstein 14.
Collecting contemporary art in Russia Marina Maximova 15. The art market
out of sight John Zarobell Part III. 16. Web3 and the global art market:
smokescreens and opportunities Nicolas Galley 17. Art market innovation
Loizos Petrides 18. Platformisation and transparency in the global art
market Marios Samdanis 19. NFTs (non-fungible tokens) and the emergence of
a new category in Sotheby's and Christie's global auction market Marta
Herrero & Georgia Gerson 20. Disruptive innovation or innovation delusion?
Impact of NFTs on the Korean art market Minha Lee & Woongjo Chang 21.
Digital art and value creation: exploring art market dynamics Melanie
Fasche 22. On returns and risks in art auction markets Yuexin Li & Luc
Renneboog 23. Art as an asset class and as a component of a financial
portfolio Kim Oosterlinck
1. Introduction to Global Art Markets Iain Robertson, Derrick Chong, Luís
U. Afonso Part I. 2. World trade and artistic exchanges in early
globalization: Lisbon c.1500 Luís U. Afonso 3. A mass market for the visual
arts: the golden age of Dutch painting during the seventeenth century
Filip Vermeylen 4. The French provinces in the eighteenth century: a desert
for the art market? Sophie Raux 5. Collecting patterns for Chinese art:
1600-1935 Nick Pearce 6. Dealer networks: the global market for
Impressionism and Post-Impressionism from 1870 until 1930 Frances Fowle 7.
When the dealer shapes demand: Stefano Bardini, master influencer Lynn
Catterson 8. Regulating the wartime Dutch art market Jeroen Euwe Part II.
9. Caribbean contemporary art: from (neo)colonial outpost to creative
eco/system Carlos Garrido Castellano 10. Heirs of the feathered serpent:
the emergence of indigenous contemporary art in Brazil René Lommez Gomes
11. Western auction houses' global expansion Natasha Degen 12. Singapore's
aspirations to be a global art market hub Anita Archer 13. How do emerging
artists enter the art market? A view from France Jérôme Glicenstein 14.
Collecting contemporary art in Russia Marina Maximova 15. The art market
out of sight John Zarobell Part III. 16. Web3 and the global art market:
smokescreens and opportunities Nicolas Galley 17. Art market innovation
Loizos Petrides 18. Platformisation and transparency in the global art
market Marios Samdanis 19. NFTs (non-fungible tokens) and the emergence of
a new category in Sotheby's and Christie's global auction market Marta
Herrero & Georgia Gerson 20. Disruptive innovation or innovation delusion?
Impact of NFTs on the Korean art market Minha Lee & Woongjo Chang 21.
Digital art and value creation: exploring art market dynamics Melanie
Fasche 22. On returns and risks in art auction markets Yuexin Li & Luc
Renneboog 23. Art as an asset class and as a component of a financial
portfolio Kim Oosterlinck
U. Afonso Part I. 2. World trade and artistic exchanges in early
globalization: Lisbon c.1500 Luís U. Afonso 3. A mass market for the visual
arts: the golden age of Dutch painting during the seventeenth century
Filip Vermeylen 4. The French provinces in the eighteenth century: a desert
for the art market? Sophie Raux 5. Collecting patterns for Chinese art:
1600-1935 Nick Pearce 6. Dealer networks: the global market for
Impressionism and Post-Impressionism from 1870 until 1930 Frances Fowle 7.
When the dealer shapes demand: Stefano Bardini, master influencer Lynn
Catterson 8. Regulating the wartime Dutch art market Jeroen Euwe Part II.
9. Caribbean contemporary art: from (neo)colonial outpost to creative
eco/system Carlos Garrido Castellano 10. Heirs of the feathered serpent:
the emergence of indigenous contemporary art in Brazil René Lommez Gomes
11. Western auction houses' global expansion Natasha Degen 12. Singapore's
aspirations to be a global art market hub Anita Archer 13. How do emerging
artists enter the art market? A view from France Jérôme Glicenstein 14.
Collecting contemporary art in Russia Marina Maximova 15. The art market
out of sight John Zarobell Part III. 16. Web3 and the global art market:
smokescreens and opportunities Nicolas Galley 17. Art market innovation
Loizos Petrides 18. Platformisation and transparency in the global art
market Marios Samdanis 19. NFTs (non-fungible tokens) and the emergence of
a new category in Sotheby's and Christie's global auction market Marta
Herrero & Georgia Gerson 20. Disruptive innovation or innovation delusion?
Impact of NFTs on the Korean art market Minha Lee & Woongjo Chang 21.
Digital art and value creation: exploring art market dynamics Melanie
Fasche 22. On returns and risks in art auction markets Yuexin Li & Luc
Renneboog 23. Art as an asset class and as a component of a financial
portfolio Kim Oosterlinck