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Global Finance on Screen offers an insightful exploration of the growing number of popular cinematic and documentary representations of the culture of the financial services to reflect on the value, the relevance and the social impact of this body of work.
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Global Finance on Screen offers an insightful exploration of the growing number of popular cinematic and documentary representations of the culture of the financial services to reflect on the value, the relevance and the social impact of this body of work.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 12. Dezember 2017
- Englisch
- ISBN-13: 9781351696647
- Artikelnr.: 50520106
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 12. Dezember 2017
- Englisch
- ISBN-13: 9781351696647
- Artikelnr.: 50520106
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Constantin Parvulescu is research fellow at the Institute for Culture and Society, University of Navarra, Spain and guest lecturer at the University of St Gallen, Switzerland. He is author of Orphans of the East: Postwar Eastern European Cinema and the Revolutionary Subject (2015) and the co-editor of A Companion to the Historical Film (2013).
List of Figures List of Tables List of Boxes Introduction, Constantin
Parvulescu Section 1: Telling Finance Stories Chapter 1: Graham Murdock,
Narrating Finance Capital: Explorations in Speculation, Crisis and
Austerity Chapter 2: Robert Burgoyne, Forms of Time and the Chronotope in
the Wall Street Film Chapter 3: Pablo Echart and Pablo Castrillo, Financial
Darwinism in Recent American Feature Films Chapter 4: Jens Maesse,
"Financial Wisdom" as Discursive Position: How Financial Expertise Is
Constructed in Documentary Film Section 2: Critical Interventions Chapter
5: Karen Ho, Finance, Crisis, and Hollywood: Critique and Recuperation of
Wall Street in Films about the Great RecessionChapter 6: Constantin
Parvulescu, Boiler Room and the Financialization of the American Economy
Chapter 7: Scott Loren, Mediating the Crisis: Revisionary Economics in
Oliver Stone's Wall Street Films Chapter 8: Ignacio Ferrero, Marta Rocchi
and Robert E. McNulty, No Ethics, No Heroes: How Immorality Flattens Wall
Street Characters Section 3: Screening Crisis and Recessions Chapter 9:
Daniel Marcus, Documentary Treatments and Cultural Hierarchies: The 2008
Financial Crash in American Documentaries Chapter 10: Elena Oliete-Aldea,
Global Financial Crisis in Local Filmic Scenarios: Transnational Cinema of
the Great Recession Chapter 11: Araceli Rodríguez Mateos, Precarity and
Vulnerability: Documentaries on the Crisis in Spain PostScript: Notes of a
Filmmaker Michael Chanan, How to Make a Film about Money and Debt without
Any Money and without Falling into Debt AcknowledgementsList of
Contributors
Parvulescu Section 1: Telling Finance Stories Chapter 1: Graham Murdock,
Narrating Finance Capital: Explorations in Speculation, Crisis and
Austerity Chapter 2: Robert Burgoyne, Forms of Time and the Chronotope in
the Wall Street Film Chapter 3: Pablo Echart and Pablo Castrillo, Financial
Darwinism in Recent American Feature Films Chapter 4: Jens Maesse,
"Financial Wisdom" as Discursive Position: How Financial Expertise Is
Constructed in Documentary Film Section 2: Critical Interventions Chapter
5: Karen Ho, Finance, Crisis, and Hollywood: Critique and Recuperation of
Wall Street in Films about the Great RecessionChapter 6: Constantin
Parvulescu, Boiler Room and the Financialization of the American Economy
Chapter 7: Scott Loren, Mediating the Crisis: Revisionary Economics in
Oliver Stone's Wall Street Films Chapter 8: Ignacio Ferrero, Marta Rocchi
and Robert E. McNulty, No Ethics, No Heroes: How Immorality Flattens Wall
Street Characters Section 3: Screening Crisis and Recessions Chapter 9:
Daniel Marcus, Documentary Treatments and Cultural Hierarchies: The 2008
Financial Crash in American Documentaries Chapter 10: Elena Oliete-Aldea,
Global Financial Crisis in Local Filmic Scenarios: Transnational Cinema of
the Great Recession Chapter 11: Araceli Rodríguez Mateos, Precarity and
Vulnerability: Documentaries on the Crisis in Spain PostScript: Notes of a
Filmmaker Michael Chanan, How to Make a Film about Money and Debt without
Any Money and without Falling into Debt AcknowledgementsList of
Contributors
List of Figures List of Tables List of Boxes Introduction, Constantin
Parvulescu Section 1: Telling Finance Stories Chapter 1: Graham Murdock,
Narrating Finance Capital: Explorations in Speculation, Crisis and
Austerity Chapter 2: Robert Burgoyne, Forms of Time and the Chronotope in
the Wall Street Film Chapter 3: Pablo Echart and Pablo Castrillo, Financial
Darwinism in Recent American Feature Films Chapter 4: Jens Maesse,
"Financial Wisdom" as Discursive Position: How Financial Expertise Is
Constructed in Documentary Film Section 2: Critical Interventions Chapter
5: Karen Ho, Finance, Crisis, and Hollywood: Critique and Recuperation of
Wall Street in Films about the Great RecessionChapter 6: Constantin
Parvulescu, Boiler Room and the Financialization of the American Economy
Chapter 7: Scott Loren, Mediating the Crisis: Revisionary Economics in
Oliver Stone's Wall Street Films Chapter 8: Ignacio Ferrero, Marta Rocchi
and Robert E. McNulty, No Ethics, No Heroes: How Immorality Flattens Wall
Street Characters Section 3: Screening Crisis and Recessions Chapter 9:
Daniel Marcus, Documentary Treatments and Cultural Hierarchies: The 2008
Financial Crash in American Documentaries Chapter 10: Elena Oliete-Aldea,
Global Financial Crisis in Local Filmic Scenarios: Transnational Cinema of
the Great Recession Chapter 11: Araceli Rodríguez Mateos, Precarity and
Vulnerability: Documentaries on the Crisis in Spain PostScript: Notes of a
Filmmaker Michael Chanan, How to Make a Film about Money and Debt without
Any Money and without Falling into Debt AcknowledgementsList of
Contributors
Parvulescu Section 1: Telling Finance Stories Chapter 1: Graham Murdock,
Narrating Finance Capital: Explorations in Speculation, Crisis and
Austerity Chapter 2: Robert Burgoyne, Forms of Time and the Chronotope in
the Wall Street Film Chapter 3: Pablo Echart and Pablo Castrillo, Financial
Darwinism in Recent American Feature Films Chapter 4: Jens Maesse,
"Financial Wisdom" as Discursive Position: How Financial Expertise Is
Constructed in Documentary Film Section 2: Critical Interventions Chapter
5: Karen Ho, Finance, Crisis, and Hollywood: Critique and Recuperation of
Wall Street in Films about the Great RecessionChapter 6: Constantin
Parvulescu, Boiler Room and the Financialization of the American Economy
Chapter 7: Scott Loren, Mediating the Crisis: Revisionary Economics in
Oliver Stone's Wall Street Films Chapter 8: Ignacio Ferrero, Marta Rocchi
and Robert E. McNulty, No Ethics, No Heroes: How Immorality Flattens Wall
Street Characters Section 3: Screening Crisis and Recessions Chapter 9:
Daniel Marcus, Documentary Treatments and Cultural Hierarchies: The 2008
Financial Crash in American Documentaries Chapter 10: Elena Oliete-Aldea,
Global Financial Crisis in Local Filmic Scenarios: Transnational Cinema of
the Great Recession Chapter 11: Araceli Rodríguez Mateos, Precarity and
Vulnerability: Documentaries on the Crisis in Spain PostScript: Notes of a
Filmmaker Michael Chanan, How to Make a Film about Money and Debt without
Any Money and without Falling into Debt AcknowledgementsList of
Contributors