Each of the poems are performances, sometimes metrically baroque and syncopated, sometimes extending from a basal mucosa unit, managing wide variations without straying from a one-or-two word line. Shein runs the poems through enough "attitude" to make even the punctuation marks mercenaries in a march on capital.
Glyph Soddy's Midnight Chronicles is a digital sullying, putrefying, and deflowering of the white page of Mallarmé, its colors and indentations (though not its text) entirely determined by taming the Herculean vomit of Heteroglossia language to facilitate reading.
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