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  • Format: ePub

"A thriller in the best Hammett/Chandler tradition . . . Mr. Gores, as always, writes beautifully, with never a wasted word and with a fine feeling for characterization." The New York Times Due to an "irregular" case handled by a now-deceased agent, the State of California is hell-bent on revoking Dan Kearny's private investigator's license. What began as a dispute over an insignificant sum has spiraled into maelstrom of deception, conspiracy, and violence, launching Kearny and his associates on a cross-country search for witnesses who can clear the company's name. Before long they discover…mehr

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Produktbeschreibung
"A thriller in the best Hammett/Chandler tradition . . . Mr. Gores, as always, writes beautifully, with never a wasted word and with a fine feeling for characterization." The New York Times
Due to an "irregular" case handled by a now-deceased agent, the State of California is hell-bent on revoking Dan Kearny's private investigator's license. What began as a dispute over an insignificant sum has spiraled into maelstrom of deception, conspiracy, and violence, launching Kearny and his associates on a cross-country search for witnesses who can clear the company's name. Before long they discover others following in their footsteps with deadly intent. This new edition of the third book in Joe Gores's DKA File series includes a bonus DKA short story, "File #7: O Black and Unknown Bard."
Joe Gores (19312011) won Edgar Awards in three separate categories: Best First Novel, Best Short Story, and Best TV Series Segment. His work repossessing cars provided grist for the mill of his DKA series, making them in the words of Ellery Queen's Mystery Magazine "[as] authentic as a fist in your face."

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Autorenporträt
Joe Gores (19312011) won Edgar Awards in three separate categories: Best First Novel, Best Short Story, and Best TV Series Segment. His many day jobs included truck driver, bodybuilding instructor, carny, and English teacher at a boys' school in Kenya as well as a dozen years as a private investigator in the San Francisco area. His work repossessing cars provided grist for the mill of his DKA series, making them in the words of Ellery Queen "[as] authentic as a fist in your face."