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Taking the form of one long email addressed to an estate agent, Goodlord is a fictional memoir of habitation, a genre-defying novelistic text that beautifully evokes the people and places of our lives——the spaces of work, those that may or may not be 'home', sites of trauma and ecstasy. Showing all the control of voice one would expect from a poet of her rare skill, Ella Frears has created a book that is as funny as it is harrowing, and beautifully skewers the contemporary housing crisis while questioning the fundamental desires, drivers and disappointments that lie at the heart of our obsession with 'property'.…mehr

Produktbeschreibung
Taking the form of one long email addressed to an estate agent, Goodlord is a fictional memoir of habitation, a genre-defying novelistic text that beautifully evokes the people and places of our lives——the spaces of work, those that may or may not be 'home', sites of trauma and ecstasy. Showing all the control of voice one would expect from a poet of her rare skill, Ella Frears has created a book that is as funny as it is harrowing, and beautifully skewers the contemporary housing crisis while questioning the fundamental desires, drivers and disappointments that lie at the heart of our obsession with 'property'.

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Autorenporträt
Ella Frears is a poet and artist based in London. Her debut collection, Shine, Darling, (Offord Road Books, 2020) was a Poetry Book Society Recommendation and was shortlisted for both the Forward Prize for Best First Collection, and the T. S. Eliot Prize for Poetry. Her latest pamphlet I AM THE MOTHER CAT written as part of her residency at John Hansard Gallery is out with Rough Trade Books (2021). In 2022, Ella was named first ever Poet in Residence for the Dartington Trust's grade II listed Gardens, selected by Alice Oswald. Ella has had poetry published in the London Review of Books, the Poetry Review, Poetry London, The Guardian, The Telegraph, Ambit, The Rialto, and the Moth among others. In 2023 Ella was Creative Fellow at Exeter University working with the Maritime Environmental History Department, and is currently the Royal Literary Fund Fellow for the Courtauld Institute of Art.