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Gothic forms of feminine fictions is a study of the powers of the Gothic in late twentieth-century fiction and film. Susanne Becker argues that the Gothic, two hundred years after it emerged, exhibits renewed vitality in our media age with its obsession for stimulation and excitement. Today's globalised entertainment culture, relying on soaps, reality TV shows, celebrity and excess, is reflected in the emotional trajectory of the Gothic's violence, eroticism and sentimental excess. Gothic forms of feminine fictions discusses a wide range of anglophone Gothic romances, from the classics through…mehr
Gothic forms of feminine fictions is a study of the powers of the Gothic in late twentieth-century fiction and film. Susanne Becker argues that the Gothic, two hundred years after it emerged, exhibits renewed vitality in our media age with its obsession for stimulation and excitement. Today's globalised entertainment culture, relying on soaps, reality TV shows, celebrity and excess, is reflected in the emotional trajectory of the Gothic's violence, eroticism and sentimental excess. Gothic forms of feminine fictions discusses a wide range of anglophone Gothic romances, from the classics through pulp fictions to a postmodern Gothica. This timely and original study is a major contribution to gender and genre theory as well as cultural criticism of the contemporary. It will appeal to scholars in a wide range of fields and become essential for students of the Gothic, contemporary fiction - particularly Alice Munro and Margaret Atwood - and popular culture.
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Autorenporträt
Susanne Becker is an editor in the culture department of German Television (ZDF)
Inhaltsangabe
Introduction Part I GOTHIC FORMS FEMININE TEXTS 1 Gothic contextualisation Experience Excess! Escape? 2 Gothic texture Subjectivity Interrogativity Monstrosity 3 Gothic intertextuality Filliation Pulp/Horror/Romance Canadian connections Part II NEO GOTHICISM: FROM HOUSES OF FICTION TO TEXTURES OF DRESS 4 Exploring Gothic contextualisation: Alice Munro and Lives of Girls and Women Gothicising experience The subject in the making Connectedness 5 Exceeding even gothic texture: Margaret Atwood and Lady Oracle Re experiencing gothicism The subject in excess Terrific excapes 6 Stripping the gothci: Aritha van Herk Border experience The subject in process Escaping (en)closure Part III GOTHIC TIMES AGAIN: TWO HUNDRED YEARS AFTER RADCLIFFE 7 The neogothic experience 8 Exceeding postmodernism 9 Global escapes Bibliography
Introduction Part I GOTHIC FORMS FEMININE TEXTS 1 Gothic contextualisation Experience Excess! Escape? 2 Gothic texture Subjectivity Interrogativity Monstrosity 3 Gothic intertextuality Filliation Pulp/Horror/Romance Canadian connections Part II NEO GOTHICISM: FROM HOUSES OF FICTION TO TEXTURES OF DRESS 4 Exploring Gothic contextualisation: Alice Munro and Lives of Girls and Women Gothicising experience The subject in the making Connectedness 5 Exceeding even gothic texture: Margaret Atwood and Lady Oracle Re experiencing gothicism The subject in excess Terrific excapes 6 Stripping the gothci: Aritha van Herk Border experience The subject in process Escaping (en)closure Part III GOTHIC TIMES AGAIN: TWO HUNDRED YEARS AFTER RADCLIFFE 7 The neogothic experience 8 Exceeding postmodernism 9 Global escapes Bibliography
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