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Grabeland takes place in a country that no longer exists, in a culture rooted in soil and projections. Like a travelogue, the story tours the inner exiles of its characters as they test the limitations of their actual existence. Focusing on Germany and The United States, Grabeland dramatizes the formation of national identity and ultimately its dissolution through an accumulation of personal and collective experiences, anecdotes, accidents, propaganda, falsifications, histories, victimizations, inventions, dreams, and hopes.
Grabeland takes place in a country that no longer exists, in a culture rooted in soil and projections. Like a travelogue, the story tours the inner exiles of its characters as they test the limitations of their actual existence. Focusing on Germany and The United States, Grabeland dramatizes the formation of national identity and ultimately its dissolution through an accumulation of personal and collective experiences, anecdotes, accidents, propaganda, falsifications, histories, victimizations, inventions, dreams, and hopes.
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Since 2001 eteam (Franziska Lamprecht and Hajoe Moderegger) traffic in transience. At the intersection of relational aesthetics, the Internet and land art, eteam coordinates collective happenings and conceptual transactions between the earthly plane and the realms of the interweb, often reconstructed in hypnotic video work, radio plays, or more recently novellas. Their projects have been featured at PS1 NY, MUMOK Vienna, Centre Pompidou Paris, Transmediale Berlin, Taiwan International Documentary Festival, New York Video Festival, International Film Festival Rotterdam, the 11th Biennale of Moving Images in Geneva, and the International Film Festival Rotterdam, among others. eteam has received grants from Art in General, NYSCA, Rhizome, Creative Capital and the John Simon Guggenheim Memorial Foundation and were residents at the CLUI, Eyebeam, Smack Mellon, Yaddo and the MacDowell Colony.
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