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Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is…mehr

Produktbeschreibung
Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is radical, adapting Wollheim's 'twofold thesis' - grounded in the aesthetics of visual art - to the author's own concept of the 'double pattern'.

Graphic Poetics
challenges the accepted protocols of reading and interpreting verse and considers how poetry is involved in a dialogue with such theoreticians as Derrida. Introducing a new perspective on how poems work and on how they generate effects, it shows how poets use devices previously unrecognised and unacknowledged, techniques which are more commonly associated with visual arts than with literature.
Autorenporträt
Richard Bradford is Research Professor in English at Ulster University and Visiting Professor at the University of Avignon, France. He has published over thirty widely acclaimed books, including biographies of Philip Larkin, Alan Sillitoe, Kingsley Amis, George Orwell and a controversial portraiture of Patricia Highsmith. Bradford has written for The Spectator and The Sunday Times and has appeared on the Channel 4 series In Their Own Words: British Novelists.