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'One of the finest writers of psychological fiction in France today' FRANCE MAGAZINE
' The latest literary sensation' DAILY TELEGRAPH
'A cult sensation' i
'Dark, smart, strange, compelling - and tremendously French' HARRIET LANE
Marie owes Michka more than she can say - but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe.
But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And
…mehr

Produktbeschreibung
'One of the finest writers of psychological fiction in France today' FRANCE MAGAZINE
'The latest literary sensation' DAILY TELEGRAPH
'A cult sensation' i
'Dark, smart, strange, compelling - and tremendously French' HARRIET LANE

Marie owes Michka more than she can say - but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe.

But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And she is losing her words - grasping more desperately day by day for what once came easily to her.

Jérôme is a speech therapist, dispatched to help the home's ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client.

Michka has been carrying an old debt she does not know how to repay - and as her words slide out of her grasp, time is running out.

Delicately wrought and darkly gripping, Gratitude is about love, loss and redemption; about what we owe one another, and the redemptive power of showing thanks.

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Autorenporträt
Delphine de Vigan is French and lives in Paris. She has published several novels for adults. No and Me was awarded the Prix des Libraires 2008 (The Booksellers' Prize) in France.
Rezensionen
With Gratitude, she has made a bold choice of subject matter … She is swimming energetically against the tide, because this is literary terrain neglected – not to say shunned – by many other novelists … The novel steadily accumulates into a moving tale of how unfinished business can be dealt with without diminishing the dignity of old age