Olga Taxidou

Greek Tragedy and Modernist Performance (eBook, ePUB)

Hellenism as Theatricality

• Format: ePub

Produktbeschreibung

This book examines the ways the encounters between modernist theatre makers and Greek tragedy were constitutive in the modernist experiments in performance. Through a series of events / instances / poses that engage visual, literary and performing arts, the modernist love/hate relationship with classical Greek tragedy is read as contributing to a modernist notion of theatricality, one that follows a double motion, revising both our understanding of Greek tragedy and of modernism itself. Isadora Duncan, Edward Gordon Craig, T.S. Eliot, Ezra Pound, W. B. Yeats, H. D, and Bertolt Brecht and their various, sometimes successful sometimes failed experiments in creating a modernist aesthetic in performing, dancing, translating, designing Greek tragedies, sometimes for the stage and sometimes for the page, are presented as radical experiments in and gestures towards the autonomy of performance. In the process the artists of the theatre themselves - the actor, the designer, the director, the playwright - are reconfigured and given a lineage and genealogy, through this modernist revision of tragedy and the tragic not as as a philosophical or philological tradition, but as a performance practice.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 18. Dezember 2020
• Englisch
• ISBN-13: 9781474415583
• Artikelnr.: 72413753

Autorenporträt

Olga Taxidou is Professor of Drama and Performance Studies at the University of Edinburgh. She is author of The Mask: A Periodical Performance by Edward Gordon Craig (Routledge, 1998) and of Tragedy, Modernity and Mourning (Edinburgh University Press, 2004) and co-editor of Modernism: An Anthology of Sources and Documents (Edinburgh University Press, 1998) and of Post-War Cinema and Modernism: A Film Reader (Edinburgh University Press, 2000). She is co-editor with Vassiliki Kolocotroni of The Edinburgh Dictionary of Modernism (Edinburgh University Press, 2017, pk, 2020) and with Vassiliki Kolocotroni and Jane Goldman, Modernism: an Anthology of Sources and Documents (Edinburgh University Press, 1998, 2000).

Inhaltsangabe

List of Illustrations
Acknowledgements
1. Introduction: 'What's Hecuba to him, or he to Hecuba?'
2. Isadora Duncan, Edward Gordon Craig and the Dream of an Impossible Theatre
3. Poetic Drama: Theatricality, Performability and Translation
4. H. D.: Feet, Hands and Hieroglyphs
5. Epic, Tragic, Dramatic Theatre and the Brechtian Project
6. Afterword: (No) More Masterpieces
Bibliography
Index.