This publication uncovers two previously dismissed pre-modern adaptations of the Middle High German
Wigalois (1215) by exploring their different approaches to female agency in comparison with the original
Wigalois, the Yiddish
Viduvilt (14th ct.) and the German
Wigoleis (15th ct.). Traditionally, scholarship often concentrated on the Yiddish text presenting female figures as behaving in a "Jewish manner" or embodying famous Jewish mythical figures such as Lilith (see Achim Jaeger / Robert G. Warnock). Rather than trying to argue for or against a figure's "Jewishness," I evaluate these interpretations from the perspective of Arthurian Literature by showing that the construction of female agency is at the center of all three adaptations of this important chapter of German-Jewish literature and culture.
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