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  • Format: ePub

A book that presents a historical study in the most prominent flags of Arab poetry, whom the Lebanese writer Maroun Abboud called "heads", in which he talked about the first in writing poetry since pre -Islamic times, and after Islam, accessible to the era of Arab nervous The Messenger of Islam, Muhammad, peace be upon him, or taking positions against him. The poets of the Abbasids, the art of Al -Mashwhat, the most famous of his flags, and contemporary poets such as Abu Tamam, Daabal, and Al -Hattari, were singled out for Al -Mutanabi entitled "a huge head" where he dealt with his lineage and…mehr

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Produktbeschreibung
A book that presents a historical study in the most prominent flags of Arab poetry, whom the Lebanese writer Maroun Abboud called "heads", in which he talked about the first in writing poetry since pre -Islamic times, and after Islam, accessible to the era of Arab nervous The Messenger of Islam, Muhammad, peace be upon him, or taking positions against him. The poets of the Abbasids, the art of Al -Mashwhat, the most famous of his flags, and contemporary poets such as Abu Tamam, Daabal, and Al -Hattari, were singled out for Al -Mutanabi entitled "a huge head" where he dealt with his lineage and emigration, and the sources of his poetry, then he singled out a portion of his book for the study conducted by Taha Hussein on the poetry of the Prophet. The book was subjected to the deterioration of poetry after Al -Mutanabi, and it stated: "As if the son of Al -Atheer had witnessed the deterioration of poetry, after Abu al -Tayyib, and he said in the likeness of the same:" And on the truth, it is the seal of poets, and whatever described it, it is above the description and above the compliment. "Yes, the heads that It is from the ethical caliber, I went by going to the mourning, and the Qaradi almost lost his socks, if not two poets, are the well -known and the satisfied.

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