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Heritage processes vary according to cultural, national, geographical, and historical contexts. This volume is unique in that it is dedicated to approaching the analysis of heritage through the concepts of social movements. Adapting the latest developments in the field of social movements, the chapters examine the formation, use and contestation of heritage by various official, non-official and activist players and the spaces where such ongoing negotiations and contestation take place. By bringing social movements into heritage studies, the book advocates a shift of perspective in…mehr

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Produktbeschreibung
Heritage processes vary according to cultural, national, geographical, and historical contexts. This volume is unique in that it is dedicated to approaching the analysis of heritage through the concepts of social movements. Adapting the latest developments in the field of social movements, the chapters examine the formation, use and contestation of heritage by various official, non-official and activist players and the spaces where such ongoing negotiations and contestation take place. By bringing social movements into heritage studies, the book advocates a shift of perspective in understanding heritage, one that is no longer bound by (at times arbitrary) divisions such as those assumed between the state and people or between experts and non-experts.


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Autorenporträt
Tod Jones is an Associate Professor in Geography in the School of Design and Built Environment at Curtin University in Perth, Western Australia. Jones's research interests are cultural and political geographies in Australia and Indonesia, in particular bringing contemporary geography approaches to cultural economy and heritage issues. His current projects are on Indigenous heritage and urban planning, social movements and heritage, and applying a sustainable livelihoods approach to assess heritage initiatives. His most recent book is Culture, Power, and Authoritarianism in the Indonesian State. Cultural Policy across the Twentieth Century to the Reform Era (Brill 2013).