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Hero and Leander (eBook, ePUB) - Marlowe, Christopher
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Hero and Leander is a mythological short epic by the famous English writer and dramatist Christopher Marlowe. When Marlowe was killed after being accused of blasphemy, he left the poem unfinished to be later completed by George Chapman. The poem follows the love story between the two Greek mythological characters Hero and Leander which was first narrated in the works of the two ancient poets Musaeus Grammaticus and Ovid. Hero is a priestess of the goddess Venus to whom she has made a vow of chastity, yet she falls in love with Leander, a young man from Abydos on the opposite side of the narrow…mehr

Produktbeschreibung
Hero and Leander is a mythological short epic by the famous English writer and dramatist Christopher Marlowe. When Marlowe was killed after being accused of blasphemy, he left the poem unfinished to be later completed by George Chapman. The poem follows the love story between the two Greek mythological characters Hero and Leander which was first narrated in the works of the two ancient poets Musaeus Grammaticus and Ovid. Hero is a priestess of the goddess Venus to whom she has made a vow of chastity, yet she falls in love with Leander, a young man from Abydos on the opposite side of the narrow sea passage known as the Hellespont. Leander, who promises to cross the Hellespont every night to reach his beloved, gets in trouble with Neptune, the god of the seas. 
Autorenporträt
Dramatist, son of a shoemaker at Canterbury, where he was born, was educated at the King's School there, and in 1581 went to Benet's (now Corpus Christi) College, Cambridge, where he graduated B.A. 1583, and M.A. in 1587. Marlowe shunned a life as a clergyman which university wits like himself were expected to follow, and moved to London to pursue the insecure craft of a playwright. Among his early plays were 'Tamburlaine the Great' and 'The Famous Tragedy of the Rich Jew of Malta', all well-received by Elizabethan audiences and displaying an impressive poetic talent that was bold enough to use high-quality blank verse for the first time in English theatre. He collaborated with friend and literary colleague, William Shakespeare, on 'Henry VI' and 'Titus Andronicus' and his influence on Shakespeare is seen in the latter's restrained use of rhyme in 'Richard III'. Traditional rhyme was eschewed by Marlowe in preference for blank verse, over which he acquired a constantly increasing mastery.