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This searing book has become the authoritative account of the new British art of the 1990s, its legacy in the 21st century, and what it tells us about the fate of high art in contemporary society. High Art Lite provides a sustained analysis of the phenomenal success of YBA, young British artists obsessed with commerce, mass media and the cult of personality - Damien Hirst, Tracey Emin, Jake and Dinos Chapman, Marcus Harvey, Sarah Lucas, among others. In this fully revised and expanded edition, Julian Stallabrass explores how YBA lost its critical immunity in the new millennium, and looks at…mehr

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Produktbeschreibung
This searing book has become the authoritative account of the new British art of the 1990s, its legacy in the 21st century, and what it tells us about the fate of high art in contemporary society. High Art Lite provides a sustained analysis of the phenomenal success of YBA, young British artists obsessed with commerce, mass media and the cult of personality - Damien Hirst, Tracey Emin, Jake and Dinos Chapman, Marcus Harvey, Sarah Lucas, among others. In this fully revised and expanded edition, Julian Stallabrass explores how YBA lost its critical immunity in the new millennium, and looks at the ways in which figures such as Hirst, Emin, Wearing and Landy have altered their work in recent years.

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Autorenporträt
Julian Stallabrass is Professor in art history at the Courtauld Institute of Art, University of London. His books include High Art Lite: The Rise and Fall of Young British Art; Art Incorporated: The Story of Contemporary Art; Gargantua: Manufactured Mass Culture; and Internet Art: The Online Clash of Culture and Commerce. In 2008 he curated the Brighton Photo Biennial, Memory of Fire: Images of War and the War of Images, nine contrasting exhibitions about war photography. He writes for New Left Review, Artforum, Texte zur Kunste, Bazaar Art and the London Review of Books.