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In the anthology 'Hints to Servants,' the reader is ushered into a timeless exploration of societal dynamics and human nature through the art of satire. With an eclectic mix of literary styles ranging from sharp wit to subtle irony, the collection dives deep into the conventions of service and society, unraveling the nuanced perspectives of the served and the servile. The varied pieces evoke reflective laughter and critical thought, urging readers to reconsider the structures of power and authority. As a whole, the anthology vibrantly captures the tensions and truths of its time, offering…mehr

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Produktbeschreibung
In the anthology 'Hints to Servants,' the reader is ushered into a timeless exploration of societal dynamics and human nature through the art of satire. With an eclectic mix of literary styles ranging from sharp wit to subtle irony, the collection dives deep into the conventions of service and society, unraveling the nuanced perspectives of the served and the servile. The varied pieces evoke reflective laughter and critical thought, urging readers to reconsider the structures of power and authority. As a whole, the anthology vibrantly captures the tensions and truths of its time, offering valuable commentary on the perpetual dance of social roles. This collection draws upon the mastery of Jonathan Swift alongside the insightful writings of John Jones, creating a rich tapestry of satirical commentary. Swift's keen eye for the absurdity within the mundane pairs seamlessly with Jones's perceptive wit, painting a vivid portrait of 18th-century life. Through their works, they harmonize the discourse on societal hierarchy and human folly, thus providing a distinctive look into the era's literary movements that championed satire as a lens for critical reflection. Both authors bring unique voices that resonate loudly with modern readers seeking historical and cultural depth. 'Hints to Servants' is a recommended read for those aspiring to immerse themselves in the multifaceted world of satire. This anthology offers a unique chance to glimpse various perspectives and styles, showcasing a dialogue between the authors that is as enlightening as it is entertaining. As readers traverse this congregation of voices, they gain profound insights into the societal structures of the past while drawing parallels to contemporary challenges. This collection not only educates but also engages in meaningful discussions on the ideologies and indiscretions of human society, making it an indispensable addition to any literary collection.

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Autorenporträt
Jonathan Swift (30 November 1667 - 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick's Cathedral, Dublin. Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver's Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms - such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier - or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles. His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed "Swiftian." Swift was part of the inner circle of the Tory government, and often acted as mediator between Henry St John (Viscount Bolingbroke), the secretary of state for foreign affairs (1710-15), and Robert Harley (Earl of Oxford), lord treasurer and prime minister (1711-1714). Swift recorded his experiences and thoughts during this difficult time in a long series of letters, collected and published after his death as A Journal to Stella. On 19 October 1745, Swift, at nearly 80, died. After being laid out in public view for the people of Dublin to pay their last respects, he was buried in his own cathedral, in accordance with his wishes. The bulk of his fortune was left to found a hospital for the mentally ill, which opened in 1757, and which still exists as a psychiatric hospital.