Histories of Conservation and Art History in Modern Europe (eBook, PDF)

Redaktion: Dupré, Sven; Boulboullé, Jenny

• Format: PDF

Produktbeschreibung

This book traces the development of scientific conservation and technical art history.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 240
• Erscheinungstermin: 14. März 2022
• Englisch
• ISBN-13: 9781000553307
• Artikelnr.: 63601950

Autorenporträt

Sven Dupré is Director of the Research Institute for History and Art History, and a Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam. He was PI of the ARTECHNE project "Technique in the Arts: Concepts, Practices, Expertise, 1500-1950," supported by a European Research Council (ERC) Consolidator Grant (2015-2021). Jenny Boulboullé is a historian and philosopher, studying hands-on practices in the arts and sciences. She has held research positions at Columbia University, Utrecht University, and the University of Amsterdam as a member of the "Making and Knowing" project and the ARTECHNE project, and at the Cultural Heritage Agency of the Netherlands.

Inhaltsangabe

1 Introduction: Experts in the Interbellum Part 1 Science, Authentication
and Issues of Conservation 2 "We Cannot Splash Light onto Our Palettes":
The 1893 Munich Exhibition and Congress and Its Public Demand for Research
on Painting Materials and Techniques 3 A. P. Laurie and the Scientific
Appreciation of Art 4 Seeing Through the (Old) Masters: The Crisis of
Connoisseurship and the Emergence of Radiographic Art Expertise 5 Rome
1930, the International Conference on the Scientific Analysis of Artworks
and Its Legacy in Italy Part 2 Education and Professionalisation 6 Mending,
Sticking, and Repairing: Reconstructing Conservation Expertise in
Archaeology in the Nineteenth and Twentieth Centuries 7 Wissenschaft,
Vocation, or Bildung?: Debating the Sites and Aims of German Art History at
the End of the Nineteenth Century 8 Education in the Art and Conservation
Field in German Countries 9 Experiments in a Teaching Museum: The Fogg's
"Laboratory for Art" Part 3 Museums and Institutions 10 Omnium Gatherum to
a 'Treasury of Art and Science': The Development of Conservation Expertise
at the Ashmolean Museum 11 The (In)visibility of the Paintings Restorers of
the Rijksmuseum in the First Half of the Twentieth Century 12 Gemäldekunde
. German Pioneers of the 'Science of Painting' 13 Invention as Necessity:
The Salvage of Italian Frescoes During World War II 14 Expertise, Multiple
Actors, and Multiple Voices