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Susan Smith's treatment of the works of the most subtle of all film-makers analyses the key elements of suspense, humour and tone across the whole of the director's career. Arguing that all three are central to our viewing experience, the book demonstrates how Hitchcock's masterly integration of those elements is the key to his success as a film-maker.
Examining in detail such films as Sabotage , Notorious , Rear Window , Psycho , Shadow of a Doubt , Rope and The Birds , amongst many others, the book discusses the idea of the director as saboteur and the importance of 'the avoidance of cliché' in Hitchcock's narrative.
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Produktbeschreibung
Susan Smith's treatment of the works of the most subtle of all film-makers analyses the key elements of suspense, humour and tone across the whole of the director's career. Arguing that all three are central to our viewing experience, the book demonstrates how Hitchcock's masterly integration of those elements is the key to his success as a film-maker.

Examining in detail such films as Sabotage, Notorious, Rear Window, Psycho, Shadow of a Doubt, Rope and The Birds, amongst many others, the book discusses the idea of the director as saboteur and the importance of 'the avoidance of cliché' in Hitchcock's narrative.
Autorenporträt
Susan Smith is Reader in Film Studies at the University of Sunderland, UK. She is author of Elizabeth Taylor (BFI/Palgrave, 2012), Voices in Film (Wallflower Press, 2007), The Musical: Race, Gender and Performance (Columbia University Press, 2005) and Hitchcock: Suspense, Humour and Tone (BFI, 2000). She also co-edits the BFI's Film Stars series.