Hollywood on Stage (eBook, ePUB)
Playwrights Evaluate the Culture Industry
Redaktion: King, Kimball
21,95 €
21,95 €
inkl. MwSt.
Sofort per Download lieferbar
11 °P sammeln
21,95 €
Als Download kaufen
21,95 €
inkl. MwSt.
Sofort per Download lieferbar
11 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
21,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
11 °P sammeln
Hollywood on Stage (eBook, ePUB)
Playwrights Evaluate the Culture Industry
Redaktion: King, Kimball
- Format: ePub
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
- Geräte: eReader
- mit Kopierschutz
- eBook Hilfe
- Größe: 0.73MB
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781136525674
- Artikelnr.: 39180247
- Verlag: Taylor & Francis
- Seitenzahl: 256
- Erscheinungstermin: 4. Juli 2013
- Englisch
- ISBN-13: 9781136525674
- Artikelnr.: 39180247
Kimball King
Introduction
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 ?EUR?Engaged in the Art of Photodrama?EUR?: Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets?EUR? The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic ?EUR?Players
?EUR? and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 ?EUR?It's Symbolic!?EUR??EUR"Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 ?EUR?The Devil Answers?EUR?: Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 ?EUR?Engaged in the Art of Photodrama?EUR?: Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets?EUR? The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic ?EUR?Players
?EUR? and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 ?EUR?It's Symbolic!?EUR??EUR"Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 ?EUR?The Devil Answers?EUR?: Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Introduction
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 ?EUR?Engaged in the Art of Photodrama?EUR?: Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets?EUR? The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic ?EUR?Players
?EUR? and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 ?EUR?It's Symbolic!?EUR??EUR"Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 ?EUR?The Devil Answers?EUR?: Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;
Kimball King; Part HOLLYWOOD ON STAGE; Chapter 1 ?EUR?Engaged in the Art of Photodrama?EUR?: Merton of the Movies
William Hutchings; Chapter 2 What Makes Sammy Run?: S. N. Behrman and the Fugitive Kind
Robert F. Gross; Chapter 3 Hollywood as Moral Landscape: Clifford Odets?EUR? The Big Knife
Albert Wertheim; Chapter 4 Hollywood on the Contemporary Stage: Image
Phallic ?EUR?Players
?EUR? and the Culture Industry
Stephen Watt; Chapter 5 Staging Hollywood
Selling Out
Marcia Blumberg; Chapter 6 Sanctity
Seduction or Settling Scores Against the Swine in Speed-the-Plow?
Leslie Kane; Chapter 7 So Dis Is Hollywood: Mamet in Hell
Toby Silverman Zinman; Chapter 8 The Myth of Narcissus: Shepard's True West and Mamet's Speed-the-Plow
Katherine H. Burkman; Chapter 9 Alienation Effects and Exteriorized Subjectivity in Angel City and The Bostonians
RJ LaVelle; Chapter 10 ?EUR?It's Symbolic!?EUR??EUR"Arthur Kopit's Revised Road to Nirvana and Its Portrayal of Hollywood and Society
Todd M. Lidh; Chapter 11 ?EUR?The Devil Answers?EUR?: Drury Pifer's Strindberg in Hollywood
William Kerwin; Chapter 12 The Last Tycoon: Elia Kazan's and Harold Pinter's Unsentimental Hollywood Romance
Christopher C. Hudgins; Chapter 13 Hollywood as Text in the Plays of Christopher Hampton
with Reference to David Rabe and Others
Kimball King; Chapter 14 The Clash of Verbal and Visual (Con)Texts: Adrienne Kennedy's (Re)Construction of Racial Polarities in An Evening with Dead Essex and A Movie Star Has to Star in Black and White
E. Barnsley Brown; Chapter 15 Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective
Robert Gross
Kimball King; Chapter 16 The Matter of Bodies: Women
Pornography
and Hollywood in Marlane Meyer's Etta Jenks
Leslie Frost; Index;