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This volume explores the reasons for horror television series' wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows' themes comment on the culture that consumes them.

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Produktbeschreibung
This volume explores the reasons for horror television series' wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows' themes comment on the culture that consumes them.


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Autorenporträt
Linda Belau is Professor in the Department of Literature and Cultural Studies and Director of Film Studies at the University of Texas-Rio Grande Valley, USA. She is the editor of Topologies of Trauma (2002), Psychoanalysis and La Femme (2010) and the author of several articles on literary, cultural, and cinema studies. Kimberly Jackson is Associate Professor of English and Chair of the Department of Language and Literature at Florida Gulf Coast University, USA. She is the author of Technology, Monstrosity, and Reproduction in Twenty-First Century Horror (2013) and Gender and the Nuclear Family in Twenty-First Century Horror (2016).