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By studying the history of world culture (literature, pictorial art, architecture, music, science, etc.), it is easy to trace that men usurped everything that had to do with images, as ideas for creation of anything. And, from time immemorial, women were left with a role of stupid consumers, and performers, and it was made sure that women think that they (women) are creators too. But, women did not participate in the birth of any product, which begins with a sketch, and in turn a sketch begins with an idea, and an idea begins with an image. Yes, women weaved, embroidered, painted cloth, and…mehr

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By studying the history of world culture (literature, pictorial art, architecture, music, science, etc.), it is easy to trace that men usurped everything that had to do with images, as ideas for creation of anything. And, from time immemorial, women were left with a role of stupid consumers, and performers, and it was made sure that women think that they (women) are creators too. But, women did not participate in the birth of any product, which begins with a sketch, and in turn a sketch begins with an idea, and an idea begins with an image. Yes, women weaved, embroidered, painted cloth, and sometimes sewed. But, based on sketches made by whom? Based on sketches and patterns created by men. The essence of this process is to forbid women from creating images, and under any excuse to never allow women to do it, ever. Excuses used are from rudest and degenerative ("What are you trying to do, you fool? Go make me a sandwich instead," or "Do you not hear your baby crying?"), to the most romantic and poetic ("You are my muse, just be near, inspire me, you are so beautiful!").
Men's intent is simple: to have total control over the psyche and the physiology of any woman because an image is the basis of functioning of any person. Providing an image to a woman ensures that she will live and function strictly according to this image. Also, an image is the basis for control of any person, as well as the basis of knowledge about her/him.
Men create images. Therefore, they know exactly what image is behind this or that behavior of a woman. In other words, they know how she will think, act, present herself, what she will want, strive for and seek (from men as well). So, a woman does not even suspect that she is like an open book for any man, even if he sees her for the first time.
But, women are sure that images that they use (including for construction of their "Self-Image," that they consider their individuality) are a secret. Borrowing images that were made up by men from cultural sources, and using them to form her personality, her way of life, any woman strongly believes in her unrepeatability, originality, and uncognizability. What do you think, who gave women this assurance, and why?
In other words, men achieved what they wanted: from potential goddesses, women were made into logs, a resource, a consumable material from which a man can make whatever he likes. Men use women for all and any of their needs.
Today, women are allowed everything, even to pretend that they create images too. Only women are not aware that they make their creations solely on the basis of those artificial images, which have already been thought up by men, and have been put into women for centuries, from generation to generation, in the process of "domestication." Women are celebrating victory, but none of them wonder why, for example, a couple of centuries ago there were no women filmmakers, litterateurs, painters, scientists or politicians? Or, why in the history of humans their percentage ratio is so low? Or, how many prime ministers there were before Margaret Thatcher and what was their gender? Or, in what century there was the first female president? And so on. Even a quick historical review, readily available statistics make it clear that women are allowed only into already constructed and functioning system built by men. And, women are allowed to act only based on and within images that the system dictates.
Women lost the "war between the sexes." Since the time of birth women are being made into logs with legs spread wide, as an indication of their main purposeto participate in the reproduction of the human race, and be pleasant toys in the hands of men. Most important is to not forget to tell women, who "love through their ears," that they are wonderful, priceless, how much men love them and depend on them. Long ago women were programmed to believe in any nonsense, instead of seeing and analyzing facts (as well as history).


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Autorenporträt
Andrey Davydov Research Supervisor of the Special Scientific Info-Analytical LaboratoryCatalog of Human Souls (CHS) Partner with Human Population Academy. Researcher, sinologist. Andrey Davydov (Андрей Николаевич Давыдов, born 30 March 1953) is a Russian researcher, sinologist. Davydov has discovered that Shan Hai Jing is the Catalog of Human Population and has created the Catalog of Human Souls based on decryption of Shan Hai Jing and other ancient books. He has authored over 300 books, as well as multiple scientific monographs, ideologies, and books on international topics. List of publications is available here - http://www.humanpopulationacademy.org/publications/ . Davydov was born in Frunze, Kirghizia of former USSR (Kyrgyzstan) and raised in Moscow (Russia). In 2012 he was granted political asylum (http://www.humanpopulationacademy.org/publications/#documentation ) in the United States of America due to persecution by the Federal Security Service of Russian Federation (FSB, former KGB). Research Andrey Davydov has developed an early interest in ancient manuscripts. In 1974 he has suggested that in one of the earliest treatisesShan Hai Jingstructures of the human psyche have been described. This has marked the beginning of his study of Shan Hai Jing as the Catalog of Human Population. Although at that time it was only a hypothesis. For nearly 20 years Davydov has gathered keys to decrypt the Shan Hai Jing's code. Extensive knowledge in a variety of scientific disciplines (sinology, biology, soil science, geography, physical geography, mineralogy, geomorphology, ichthyology, ornithology, ethology, and other natural sciences), as well as his knowledge of cultural studies and mythology of different countries have helped Davydov decrypt the Shan Hai Jing. His colleagues have helped Davydov at a certain stage of his research. Invaluable help in the understanding of this and other ancient texts has been provided by distinguished scholars of Oriental studies: Anatoly E. Lukyanov (a sinologist, scholar of Oriental studies, professor, and Head of the Center of Comparative Studies of Civilizations of Northeast Asia at the Institute of the Far East of Russian Academy of Science, Vladimir V. Malyavin (Russian scholar of Oriental studies, Doctor of Historical Sciences (1988), professor, and others. Further research of Shan Hai Jing required consultations in regard to other ancient Chinese manuscriptsI Ch...