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  • Format: ePub

You probably shouldn't read this. This story is about three women who break into the zoo to have sex with the inhabitants. It's called: Human Zoo.
Set in an alternative Victorian world, it is a world in which exists another category of human; the subhuman: human-like entities who are not entitled to human rights, only the rights of an animal. After attending one of the late night copulation shows at the zoo, a Victorian lady becomes enraptured by the freedom the subhumans exhibit. She realises then how much she detests the restraints and hypocrisies of Victorian England, and vows to enter…mehr

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Produktbeschreibung
You probably shouldn't read this. This story is about three women who break into the zoo to have sex with the inhabitants. It's called: Human Zoo.

Set in an alternative Victorian world, it is a world in which exists another category of human; the subhuman: human-like entities who are not entitled to human rights, only the rights of an animal. After attending one of the late night copulation shows at the zoo, a Victorian lady becomes enraptured by the freedom the subhumans exhibit. She realises then how much she detests the restraints and hypocrisies of Victorian England, and vows to enter the zoo after hours, to visit the subhuman enclosure.

There is more to this tale; this is merely the first part of a larger novel. I can publish it here if you are interested; but if not, I shall keep the rest to myself ...


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Lydia is an online apparition who frequents the Fediverse and you can follow her there (currently) at: @LydiaConwell@exile.social. She is just some nobody with an art school background, who lives in London, writes stories in her spare time, owns a cat and loves noisy, avant-garde music.

Lydia often writes futurist worlds, which she describes as Synehitopian that is, a continuation of our current political and technological landscape rather than a strictly dystopian future. Her stories explore manipulation, control and power dynamics, and people's willingness to succumb to the rule of corporate hegemony.