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Momoko Kuroda (b. 1938) is a remarkable haiku spirit and a powerfully independent Japanese woman. The one hundred poems hereher first collection in Englishshow her evolution as a poet, her acute lyricism, and her engagement as a writer in issues central to modern Japan: postwar identity, nuclear politics, and Fukushima. Abigail Friedman's introduction and textual commentaries provide important background and superb insight into poetic themes and craft.
I wait for fireflies / I wait as if for someone / who will never return
Momoko Kuroda is one of Japan's most well-known haiku
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Momoko Kuroda (b. 1938) is a remarkable haiku spirit and a powerfully independent Japanese woman. The one hundred poems hereher first collection in Englishshow her evolution as a poet, her acute lyricism, and her engagement as a writer in issues central to modern Japan: postwar identity, nuclear politics, and Fukushima. Abigail Friedman's introduction and textual commentaries provide important background and superb insight into poetic themes and craft.

I wait for fireflies / I wait as if for someone / who will never return

Momoko Kuroda is one of Japan's most well-known haiku poets.

Abigail Friedman lives near Washington, DC, and is author of The Haiku Apprentice.

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Autorenporträt
Momoko Kuroda (b. 1938 in Tochigi Prefecture) is one of the most highly-respected haiku poets in Japan today. She has published five collections of haiku, and authored or co-authored another 22 prose works including essays, season- word compendiums, books on haiku for beginners, and a two-volume set of interviews with notable Showa-era poets. Her first haiku collection earned her the Modern Haiku Women award and the Haiku Association New Poet award. In 2011 she was awarded the Dakotsu prize, Japan's most prestigious haiku award. She is a haiku selector for the Nihon Keizai Shimbun's weekly Sunday haiku column, and a frequent haiku selector for NHK television. She is on the jury of several national and regional haiku contests, including the annual Mainichi Shimbun haiku award. In 1990, she founded her own haiku organization, AOI, with a nationwide membership of several thousand. All this she accomplished while working full-time at Hakuhodo, a Tokyo-based advertising firm, until her retirement at age 60.

Abigail Friedman, a retired diplomat and accomplished, award-winning haiku poet, began composing haiku in a haiku group that met at the foot of Mt. Fuji, led by Japanese haiku master Momoko Kuroda. Her book, The Haiku Apprentice: Memoirs of Writing Poetry in Japan (Stone Bridge Press, 2006), captures that experience and her insights into haiku. She is founder of HaikuQuebec, the first French/English bilingual haiku group in Quebec City. Her work has appeared in poetry publications in the U.S., Canada, France, and Japan, including: Frogpond; AOI; The Asahi Weekly; Association Francophone de Haiku (AFH); The Moss at Tokeiji (Deep North Press, 2010); ; and Bilboquet. She has presented her haiku at the Montreal Zen Poetry Festival, the Festival international de la poesie de Trois-Rivieres, Haiku Canada, and Haiku North America. In 2012, she was commissioned to compose a haiku to mark the U.S. gift of dogwoods to Japan, on the occasion of the 100th anniversary of Japan's gift of cherry trees to the U.S. Awards and Other Honors: First Prize, Mainichi International Haiku Contest (2014); Second Prize, Mainichi International Haiku Contest (2012); Grand Prize, Yamanashi Mt. Fuji haiku contest (2011); Honorable Mention, Mainichi International Haiku Contest (2008); Finalist, Kiriyama Book Prize [for The Haiku Apprentice] (2007); Second Prize, Mainichi International Haiku Contest (2006).