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Charting the failure of the Romantic critique of political economy, Richard Adelman explores the changing significances and the developing concepts of idleness and aesthetic consciousness during the nineteenth century. Through careful analysis of some of the period's most influential thinkers, including John Stuart Mill, George Eliot, John Ruskin and Karl Marx, Adelman weaves together evolving ideas across a range of intellectual discourses - political economy, meditative poetry, the ideology of the 'gospel of work', cultural theory, the Gothic and psychoanalysis. In doing so, he reconstructs…mehr

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Produktbeschreibung
Charting the failure of the Romantic critique of political economy, Richard Adelman explores the changing significances and the developing concepts of idleness and aesthetic consciousness during the nineteenth century. Through careful analysis of some of the period's most influential thinkers, including John Stuart Mill, George Eliot, John Ruskin and Karl Marx, Adelman weaves together evolving ideas across a range of intellectual discourses - political economy, meditative poetry, the ideology of the 'gospel of work', cultural theory, the Gothic and psychoanalysis. In doing so, he reconstructs debates over passivity and repose and demonstrates their centrality to the cultural politics of the age. Arguing that hardened conceptions of aesthetic consciousness come into being at moments of civic unrest concerning political representation and that the fin-de-siecle witnesses the demonization of the once revolutionary category of aesthetic consciousness, the book demonstrates that late eighteenth-century positivity around human spirituality is comprehensively dismantled by the beginning of the twentieth century.

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Autorenporträt
Richard Adelman is a lifelong resident of Philadelphia. He taught English, computer applications, and filmmaking in public high schools there for thirty-seven years. Besides teaching, Richard worked for many years in the Philadelphia area as a wedding photographer and in Atlantic City as a bartender and restaurant manager. He is previously unpublished. Retired now, he has been spending his literary efforts trying to learn enough French to read the classics. He has two grandchildren.