Illusion, Disillusion, and Irony in Psychoanalysis explores and develops the role of illusion and daydream in everyday life, and in psychoanalysis. Using both clinical examples and literary works, idealised illusions and the inevitable disillusion that is met when reality makes an impact, are carefully explored.
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"This latest book of John Steiner is a rich collection of essays on themes that he has developed since his ground-breaking concepts of pathological organisations and psychic retreats. He has, in this book, enlarged on the emergence in the course of development, of an awareness of the loss of an ideal world. He draws on great clinical experience and wide and deep reading of literary sources, which makes his complex thinking, engaging, entertaining and a pleasure to read."
Ronald Britton FRCPsych, Distinguished Fellow British Psychoanalytical Society.
"The need to withdraw into a world of illusion, to create our own personal Garden of Eden is, Steiner shows us, 'precisely what many of our patients do and the same is true of course for all of us since we are all patients and all have serious problems with reality.'
Nothing is both one thing and another in Steiner's vision and this is best appreciated by those of us who are capable of embracing an ironic vision. It is irony that allows us simultaneously to empathize with our analysands and to observe them from our perspective as outsiders.
Steiner moves gracefully from Sophocles to Milton to Ibsen, Keats, Cervantes, Shakespeare, and many others. At each stop we find ourselves surprised and enlightened by the way he develops his theme in the context of works that are long familiar to us."
From the forward by Jay Greenberg, Training and Supervising Analyst, William Alanson White Institute; Editor, The Psychoanalytic Quarterly
Ronald Britton FRCPsych, Distinguished Fellow British Psychoanalytical Society.
"The need to withdraw into a world of illusion, to create our own personal Garden of Eden is, Steiner shows us, 'precisely what many of our patients do and the same is true of course for all of us since we are all patients and all have serious problems with reality.'
Nothing is both one thing and another in Steiner's vision and this is best appreciated by those of us who are capable of embracing an ironic vision. It is irony that allows us simultaneously to empathize with our analysands and to observe them from our perspective as outsiders.
Steiner moves gracefully from Sophocles to Milton to Ibsen, Keats, Cervantes, Shakespeare, and many others. At each stop we find ourselves surprised and enlightened by the way he develops his theme in the context of works that are long familiar to us."
From the forward by Jay Greenberg, Training and Supervising Analyst, William Alanson White Institute; Editor, The Psychoanalytic Quarterly