This is a collection that not only asks: who speaks for the art? But also: who speaks for the witnesses, the cameras, the documented, the landscape, the institutional platforms, the taboos, those wishing to be forgotten, those being seen and the experience of viewing itself?
Each essay explores how images change not only through their modes of representation, but through our relationship to them and emphasises that in order to understand images, we must understand our relationship to them and how they are produced, communicated, and displayed.
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