Images of Power (eBook, PDF)

Iconography, Culture and the State in Latin America
Redaktion: Andermann, Jens; Rowe, William

• Format: PDF

Produktbeschreibung

In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state.

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Produktdetails

• Verlag: Berghahn Books
• Seitenzahl: 320
• Erscheinungstermin: 1. Dezember 2004
• Englisch
• ISBN-13: 9781782388630
• Artikelnr.: 44912601

Autorenporträt

William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book Memory and Modernity: Popular Culture in Latin America (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are Poets of Contemporary Latin America: History and the Inner Life (Oxford, 2000) and Ensayos vallejianos (Berkeley and Lima, 2006).

Inhaltsangabe

List of Illustrations
Introduction: The Power of Images
Jens Andermann and William Rowe
PART I: MEMORY AND THE PUBLIC ARENA
Chapter 1. From Royal Subject to Citizen: the Territory of the Body in
Eighteenth- and Nineteenth-Century Mexican Visual Practices
Magali M. Carrera
Chapter 2. The Mexican Codices and the Visual Language of Revolution
Gordon Brotherston
Chapter 3. Subversive Needlework: Gender, Class and History at Venezueläs
National Exhibition, 1883
Beatriz González Stephan (transl. Heike Vogt)
Chapter 4. Material Memories: Tradition and Amnesia in two Argentine
Museums
Alvaro Fernández Bravo
PART II: SELF AND OTHER IN THE AVANT-GARDE
Chapter 5. Exoticism, Alterity and the Ecuadorean Elite: The Work of Camilo
Egas
Trinidad Pérez (transl. Philip Derbyshire)
Chapter 6. Primitivist Iconographies: Tango and Samba, Images of the Nation
Florencia Garramuño
Chapter 7. 'Argentina in the World': Internationalist Nationalism in the
Art of the 1960s
Andrea Giunta (transl. Emma Thomas)
PART III: MASSES AND MONUMENTALITY
Chapter 8. 'Cold as the Stone of which it Must be Made': Caboclos,
Monuments and the Memory of Independence in Bahia, Brazil, 1870-1900
Hendrik Kraay
Chapter 9. Photography, Memory, Disavowal: the Casasola Archive
Andrea Noble
Chapter 10. Mass and Multitude: Bastardised Iconographies of the Modern
Order
Graciela Montaldo
PART IV: SPACES OF FLIGHT AND CAPTURE
Chapter 11. Marconi and other Artifices: Long-range Technology and the
Conquest of the Desert 
Claudio Canaparo (transl. Peter Cooke)
Chapter 12. Desert Dreams: Nomadic Tourists and Cultural Discontent
Gabriela Nouzeilles (transl. Jens Andermann)
Chapter 13. Why the Virgin of Zapopan went to Los Angeles: Reflections on
Mobility and Globality
Mary Louise Pratt
Notes on Contributors
Index